Anomaly
ENG \ 中文
  • Deviation
    or departure
    from the normal
    or common order,
    form, or rule.

    syn: abnormality \ deviation \
    exception \ irregularity \ rarity

    new york \ toronto \ london \ amsterdam \ shanghai

     

    偏离或者背离常规秩序、形式或者规则

    同义词:反常、偏离、古怪、例外、不规则、罕见

    New York \ Toronto \ London \ Amsterdam \ Shanghai

  • Why We Exist我们存在的意义

    Whenever you find yourself on the side of the majority, it is time to pause and reflect.

    Mark Twain

    My biggest competitor today is a person with an idea.

    Nabil Sakkab
    Head of Research & Development Procter & Gamble

    The right question is usually more important than the right answer to the wrong question.

    Alvin Toffler

    The crowd is untruth.

    Søren Kierkegaard

    Your clients are in trouble. They are looking to you to save them. The ad inventory that has been sold for the last 50 years no longer works, and marketers have started to figure that out. In the process, your clients will fire, hire, fire, and hire agency after agency… seeking someone — anyone! — who can help them (perhaps) on where to go next.

    John Stratton, CMO Verizon Wireless

    We need to reinvent the way we market to consumers. We need a new model. It does not exist. No one else has one yet. But we need to get going now.

    A.G. Lafley
    Chairman / CEO Procter & Gamble

    With more countries, more customer segmentation, more media, and more distribution channels, companies and their CMOs are waging a battle with complexity.

    The McKinsey Quarterly

    The traditional approaches are now obsolete. One hundred years of marketing thoughts are gone. Alternative approaches aren’t a novelty. They are all we’ve got left.

    Seth Godin
    Purple Cow

    The threat is if agencies don’t look at the model and explore new forms of connection and collaboration.

    Brian Perkins
    VP Corporate Marketing J&J

    The world is more connected but marketing is becoming more regionalized, and more individualized. Personalization is not a trend. It is a marketing tsunami that will transform how we think about and manage global brands.

    Larry Light
    Former CMO McDonald’s

     

    目前我最大的竞争对手就是有意念的人才。

    Nabil Sakkab
    宝洁公司研究与发展部主管

    你的客户正处于麻烦之中。他们指望你能够把他们从麻烦之中解救出来。广告公司在过去50年卖的很好的那一套现在已经不顶用了,而这一点市场营销人员也已经逐渐了解。在这个过程中,你的客户就会不断地在一家又一家广告公司之间重复聘请,解雇,聘请又解雇的过程,最后开始寻找一个人,任何一个能够帮助他们搞清下一步该做什么的人。

    Verizon Wireless 首席营销官

    我们需要重新创造向消费者营销的方式。我们需要一种新的模式,它目前既不存在,也没人了解。但是我们现在就该开始着手去做。

    A.G. Lafley
    宝洁公司前任主席兼首席执行官

    随着国家、客户群、媒介、分销渠道的逐渐增多,企业及其首席市场官都不得不应对复杂的状况。

    麦肯锡季刊

    无论何时,当你发现自己与大多数人为伍时,就是需要停下来好好反省的时候了。

    Mark Twain
    美国作家

    传统的那些方法都已经过时。营销理念的百年时光早已过去。非传统方法不是什么新鲜事。我们也只有这个了。

    Seth Godin
    Purple Cow

    所以真正的危机是,广告公司不去注意模式,不去开发沟通与合作的新形式。

    Brian Perkins
    强生公司企业市场营销部副主席

    整个世界的连接更加紧密,但是市场营销却变得更加区域化,本地化,甚至更加个性化。个性化不再是一个趋势,而是能够改变人们思考和管理全球品牌方式的市场营销海啸。

    Larry Light
    麦当劳前任首席营销官

     
  • About Us关于我们

    Business Week

    Since its inception in 2004, the founders and directors have truly shown a different way of doing things, blurring the borders between providing traditional marketing services and working as a business development partner. Eschewing the traditional client / agency relationship, Anomaly works to develop intellectual property for both itself and for its clients…

    Fast Company

    When a client comes in with an advertising problem,
    Anomaly addresses
    it more broadly as
    a business issue, analyzing
    everything from design
    to product development.

    Campaign

    Anomaly bills itself very clearly as a new model agency. It describes itself as a response to the notion that the old agency models "are all broken" and "the traditional solutions are becoming less and less effective". Its positioning sounds like a bunch of clichés, because so many agencies are talking about the need to re-gear their approach around the same principles: ideas-led, media-neutral, integrated, multi-disciplinary. Anomaly, though, launched with these principles at its core.

    Creative Review

    Anomaly is definitely not an "Ad Agency." The company sets store by developing its own intellectual property, which it can license to clients in return for share in revenues. Their aspiration is to be a product developing IP company, marketing their own portfolio of IP as well as doing that for major brands.

    Campaign

    As you might expect from its name, Anomaly is no ordinary agency; it is more of a response to the countless calls for agencies to drag themselves into the
    21st century.

    AdWeek

    The ad world is changing and Anomaly's model is set up to lead that change.

    AdAge

    Anomaly decries tradition and craves revolution. Its real selling point is that its principals have diverse skill sets in interactive marketing, media strategy, and design – as well as advertising – so that clients can have faith they will get a marketing solution rather than an ad campaign.

    Creativity

    The agency [Anomaly] is structured for innovation and multidisciplinary problem solving – not just the partners, but every member of the team contributes on every project on all levels.

    AdWeek

    "They were intriguing to us because they weren't mired down in a lot of layers. They were great creative and strategic people on a mission to create a vision for their agency to solve client problems," says Sara Schmid, advertising manager. "They were very conscientious ... about how things worked in stores, how the visual language would play into it."

    New York Times

    Anomaly have started up to capitalize on the desire among marketers to do things differently – and the inability of many bigger agencies to accomplish that.

    商业周刊

    自2004年Anomaly创立之后,其创始人和管理团队展示出了与众不同的工作方法,模糊了提供传统市场营销服务和作为业务发展合作方的角色界限。突破了传统的客户与广告代理公司之间的关系,Anomaly致力于发展自己及其客户的知识产权产品。

    快公司

    当客户带着一个广告难题来时,Anomaly会将其当作是一个商业问题,从产品设计到产品发展进行全方位分析。

    Campaign杂志

    Anomaly很清晰地自我定义为一家新模式机构。Anomaly认为,自己其实正是陈旧的广告代理模式“全面崩盘”而“传统解决方案已经越来越失去效力”的回应。Anomaly的定位听起来就像老生常谈,因为那么多的广告公司都在谈论要重新制定符合相同原理的方法:意念为先,媒介中立,整合,综合专业。然而,Anomaly启动至今却把这些原理作为核心来运作。

    Creative Review杂志

    Anomaly绝对不是一家“广告公司”。Anomaly拥有自己的知识产权产品并开设门店,如此以来Anomaly可以向客户授权,并与客户分享成果。Anomaly的志向是,成为一个产品知识产权开发公司,为自己和其主要客户的知识产权产品进行市场营销。

    Campaign杂志

    从他的名字可以猜到,Anomaly不是一家平常的广告公司,而更像是应无数要求广告公司迈入21世纪的呼声而生的回应。

    Adweek杂志

    广告领域正在发生巨变,而Anomaly的模式将会带领这次变革。

    AdAge杂志

    Anomaly绝不墨守陈规,并渴望重大变革。Anomaly的真正卖点在于,在互动营销、媒介策略、设计包括广告方面都有不同的技术组合,如此以来客户就能够确信,他们会从Anomaly得到市场营销解决方案,而不仅仅是广告战役。

    Creativity杂志

    Anomaly就是针对创新和解决综合专业问题而组建—不仅仅是合伙人,团队的所有成员在每一个项目上都贡献自己的才能。

    Adweek杂志

    “他们让我们很感兴趣,是因为他们没有错综复杂的层级关系。他们是一群优秀的创意人员和策略人员,他们拥有为客户解决问题的共同愿景,”广告经理Sara Schmid说。“他们对于所有事情都一丝不苟,包括门店如何运转,视觉语言如何展现”。

    纽约时报

    Anomaly紧紧抓住企业主希望能够别具一格的渴望,和很多大型广告公司无法做到这点的弱点。

  • People团队

    Carl Johnson Mike Byrne Johnny Vulkan Richard Mulder Jason DeLand Justin Barocas Karina Wilsher Gareth Goodall Natasha Jakubowski Vivek Bellore Kevin Lyons Franke Rodriguez Dave Douglass Pete Breton Lars Jorgensen Martin Peters Ginsborg Amanda Fève Camilla Harrisson Stuart Smith Alex Holder Oli Beale Eric Lee Elvis Chau Richard Summers James Conlon

    Carl
    Johnson

    Founding Partner at Anomaly

    Carl is responsible for the guardianship and evolution of Anomaly's proposition in an ever-changing, sometimes turbulent, increasingly complex industry, ensuring that Anomaly remains compelling and stimulating as the agency continues to scale internationally.

    He has also spent six years on the board of Effie Worldwide, with four years as Chairman, helping champion the practice and practitioners of effective marketing.

    Formerly, Carl was the COO of TBWA\Worldwide and CEO of its New York office — TBWA/Chiat/Day. Whilst there, he drove both growth and change, and more importantly, introduced the practice of "Connections Planning", arguably the first new industry discipline since the advent of planning.

    As significantly, Carl created an innovative climate that attracted talented professionals and inspired and facilitated their ability to flourish.

    Prior to moving to the U.S., Carl had founded (and subsequently sold) Simons Palmer Clemmow Johnson in the UK — one of the most awarded and respected agencies of its time — with clients including Nike, Sony PlayStation, Virgin, British Telecom, and News Corporation.

    Mike
    Byrne

    Founding Partner at Anomaly

    Formerly, Mike was a Creative Director at Wieden+Kennedy Portland, where he served as the Co-Creative chief for the agency's cornerstone Nike Account from 2000 – 2006. During his tenure, W+K Portland amassed more awards than any other agency in the United States including two Agency of the Year honors. Importantly, Nike's business grew exponentially during the course of those six years.

    While at W+K, Mike managed a creative group of over thirty people, oversaw creative development for Nike in the US and Latin America. Sub-brands with Nike included: Basketball (Pro and Collegiate), Football, Baseball, Running, Cycling (Lance Armstrong/LiveStrong Yellow Band), Olympics, Soccer, Tennis and the ACG division. Products included both footwear and apparel for men and women.

    Mike's work on Lance Armstrong's "Yellow Band" campaign helped raise over $50 million for his charity, LiveStrong.

    Mike has been recognized throughout his career for creative excellence. He has won numerous awards at the Cannes International Advertising Festival (including the Grand Prix 2001), D&AD, The One Show, Art Directors Club, Clios and CA amongst others.

    Mike won an Emmy in 2004 for the film, "Nike Tag".

    In 2002, Details magazine ranked Mike 30th in their "50 Most influential men under 40" issue. The following year Shoot magazine ranked him the third best copywriter in the world.

    Mike is on the board of the Creative Circus in Atlanta, GA where he mentors designers, illustrators, writers and photographers. He keeps himself busy on the creative lecture circuit as well as frequent trips with his wife, daughter, and son to hometown Philadelphia.

    Johnny
    Vulkan

    Founding Partner at Anomaly

    Formerly, Johnny held several high-level and diverse positions in both the UK and US. Prior to Anomaly, Johnny led new product development projects at Fahrenheit 212 where he helped evolve new markets and products for clients that included P&G, General Mills and Starbucks.

    Before Fahrenheit, Johnny spent two years as the Chief Operating Officer of TBWA/Chiat/Day in New York before co-founding the Disruption Group for the company and becoming a Group Creative Director leading communications innovation work for MasterFoods, Absolut Vodka and the agency at large.

    At Anomaly, Johnny is responsible for communications and media innovation as well as stewarding digital strategy and philosophy. When not roaming the internet, he can found exploring the latest cultural trends as far afield as Tokyo, Berlin, Manchester and Buenos Aires.

    Richard
    Mulder

    Founding Partner at Anomaly

    Formerly, Richard held several senior marketing titles at Nike, Inc. In his eleven years, he led Nike's brand communications in Europe, the US, and most recently in the Asia-Pacific Region. He helped grow the business exponentially in each region.

    Richard has more than 100 Nike campaigns under his belt, that won over 75 awards, including an Emmy, a gold and several silver and bronze lions. "The Mission", "Freestyle", "Move" and "Nikelab" are just a few examples of projects he was involved in. Richard played a key role in building Nike as a global soccer brand and is the inventor of the Yellow "LiveStrong" Bracelet.

    From 2001 to 2006 Richard worked closely with ex-W+K Creative Chief and current Anomaly Partner, Mike Byrne.

    Richard was born and raised in Amsterdam. In 2000, he moved to the United States.

    Jason
    DeLand

    Founding Partner at Anomaly

    Formerly, Jason was the New Business Head at TBWA/Chiat/Day, SVP of Marketing for PCCW Hong Kong Telecom, and a Partner for the Brand Consultancy G2 Worldwide.

    While at G2, Jason served as Partner and Head of Business Development where he worked at the Group level to integrate service offerings and compensation structures.

    Prior to G2, Jason spent two years as SVP, Sales and Marketing for PCCW - Hong Kong Telecom, one of the largest marketers in Hong Kong. While at PCCW, Jason helped lead a marketing restructuring of the company's Business to Consumer group, developed M&A marketing strategy, created new product/content initiatives for Greater China and managed several agency relationships, including Omnicom's BBDO and WPP's Ogilvy.

    Jason began his career at the New York office of TBWA/Chiat/Day, where he became the New Business Director at the age of 22. At TBWA/Chiat/Day, Jason helped establish a winning track record and mentality within the agency and put in place a sustained and integrated agency marketing program.

    In 2012, Jason was recognized on AdWeek's "Young Influentials: 20 Under 40" list.

    Justin
    Barocas

    Founding Partner at Anomaly

    Justin is responsible for leading the Media and Communications Strategy practice at Anomaly.

    As Executive Producer and writer, he led the development and production of Avec Eric for PBS and published the companion book with Wiley & Sons. Avec Eric has received two Emmys including 2011 Outstanding Culinary Show, and was awarded 2011 Best Show (on Location) from the James Beard Foundation.

    Additionally, Justin oversees the development of branded entertainment for Anomaly with clients such as Budweiser and Converse, and communications strategies for P&G, Pepsico and Diageo.

    Formerly the Media Director of Wieden+Kennedy NY, Justin helped develop and manage breakthrough integrated communications solutions for brands such as Nike, Virgin America, ESPN, Coca-Cola, Nestle, JetBlue, ESPN and Microsoft.

    Justin's work has been honored by the National Academy of Television Arts & Sciences, the Effies, the OAAA, and the Cannes International Advertising Festival.

    Karina
    Wilsher

    Partner, CEO, Anomaly New York

    Formerly, Karina was the Managing Director of Fallon London, having joined Fallon's Founding Partners in 1999, and successfully grew the agency from creative startup to a Top Ten agency. Under her leadership the agency doubled its revenue, and was awarded Campaign's UK Agency of the Year in 2006 and 2007. Fallon went on to become the most creatively awarded agency in the world (Gunn Report 2008), with creative highlights including a Cannes Grand Prix, a rare D&AD Black Pencil for Cadbury "Gorilla", and international recognition for the agency's Sony Bravia campaign.

    Over ten years at Fallon, Karina ran a broad portfolio of the agency's business, from Sony to the BBC. During her time as Head of Client Services, she built one of the strongest Account Management departments in London and went on to develop an agency-wide talent pool with highly diverse skills to position Fallon as a pioneering, front-of-market company.

    In London, Karina played a key role in the UK industry, including being part of the Training and Development Exec for Women in Advertising and Communications London (WACL) and being a member of the industry body's Client Services Committee at the Institute of Practitioners of Advertising (IPA).

    Gareth
    Goodall

    Chief Strategy Officer at Anomaly New York

    Before joining Anomaly, Gareth held roles as Head of Planning at Saatchi & Saatchi New York and Joint Managing Director and Chief Strategy Officer of Fallon London.

    During his seven years at Fallon, the agency won Campaign's Agency of the Year twice, two Cannes Grand Prix awards, and a Black D&AD Pencil and Campaign's Commercial of the Decade for SONY "Balls". His work for Orange won a Gold APG Award and the prize for Most Progressive Thinking.

    Gareth also sat on the Board of the Account Planning Group and was Chair of Judges for the APG Strategy Awards.

    The Independent named him one of the "100 Most Influential People In British Creative Industries" and he was selected by Campaign as a "Face To Watch" and one of "London's Top 10 Planners".

    Outside of work he enjoys writing and has won The Canongate Prize, the UK's largest prize for new writing. His story, "Salvage", was made into a film starring the actor Peter Capaldi.

    Natasha
    Jakubowski

    Managing Partner at Anomaly New York

    Natasha has been at the forefront of introducing brand strategy into the world of innovation helping clients re-imagine white space business opportunities.

    Prior to Anomaly, Natasha was a Partner and Strategic Director at Redscout, an Innovation Consultancy, where she led the strategic development of new business ideas, brands and products across diverse clients such as Johnson & Johnson, PepsiCo and Diageo among others.

    Prior to Redscout, Natasha served as part of the senior Strategic Planning team at Kirshenbaum Bond, working on marketing and communications strategy for brands including Edward Jones, Meow Mix, and Equal. In addition, she has global brand strategy experience on everything from Heinz to JP Morgan. Natasha holds first-class honors from Oxford University, and a Masters in Media and Communications.

    Vivek
    Bellore

    Director of Social and Data Strategy at Anomaly New York

    Vivek brings with him a diverse background of public- and private-sector experience focused on building opportunity through insightful understanding, pattern identification, and analysis of human behavior.

    Prior to Anomaly, Vivek was Partner/VP of Research and Planning at Attention, specializing in data, analytics and social media. During his five years at the agency, Vivek focused on developing original approaches to working with social data to shape marketing strategies and sales operations. Clients spanned a variety of sectors, ranging from Morgan Stanley to UNICEF. Additionally, Vivek has spent time doing innovation work and product launch strategy for the likes of Microsoft, Epson and SAP.

    Prior to entering the private sector, Vivek worked on projects for the Tibetan Diaspora, as well as launching the Heroes Project in partnership with the Gates Foundation. He spent a year in Mumbai working with Telecom providers, media agencies, global celebrities, and other NGOs to combat the stigma of HIV/AIDS, and he continues to be active in the NGO community by serving as advisor to Generation Citizen, a national program that works to develop the next generation of active and engaged citizens.

    Vivek is a graduate of George Washington University with a degree in Economics and Public Policy. In addition, he spent time studying Indigenous Cultures and Economic Policy while in Australia.

    Kevin
    Lyons

    Energy and Experience at Anomaly

    Kevin Lyons is the former Global Creative Director for Urban Outfitters – one of the most successful urban/youth retailers in the United States and Europe. In a seven-year tenure, Kevin helped shape the brand holistically, including exterior signage, retail environment, digital design, packaging, posters and promotions, book and catalog design, labeling, and products (t-shirts, apparel, lifestyle product graphics). Kevin also led the acclaimed music program, oversaw the brand's PR and marketing, and the corporate design for the umbrella company Urban Outfitters, Inc., (Anthropologie, Free People and Urban Outfitters).

    Prior to Urban Outfitters, Kevin served in a variety of diverse roles including Design Director at Stussy Worldwide, Art Director for filmmaker Spike Jonze's Girl Skateboard Company, US Art Director for Tokion Magazine, and Senior Designer for Nike Inc., where he was responsible for branding several big-time college and pro sports franchises.

    He has written articles for the AIGA Journal, as well as addressing the AIGA twice including once as a published recipient of its Fresh Dialogues Series. He has held teaching assistant positions at both RISD and CalArts, and has been a visiting critic at the Yale Graduate School of Design. He was an Assistant Professor of Typography at the Pratt Institute from 2000-2002.

    Kevin produces two clothing lines; one for 2K, called Atlantis and the other under his personal namesake, NATURAL BORN – both are distributed globally.

    His own art work has been published worldwide from Thrasher, The Face, Lowdown, Anthem and Refill. He has shown worldwide including solo shows in Philadelphia, Los Angeles, San Francisco and Tokyo.

    Kevin’s cultural influence and significance is diverse, including regular collaborations ranging from Colette to Karl Lagerfeld.

    Franke
    Rodriguez

    Partner, CEO, Anomaly Toronto

    Franke joined Anomaly in 2007 as a hybrid account leader and Business Development Director. His ability to span the traditional world and the digital world, coupled with a keen commercial mind (he holds an Economics degree from Columbia University), makes him a versatile and effective business leader.

    Whilst at Anomaly, he has led several business successes across a range of disciplines, including: Client Services (Diageo, Coca-Cola, Virgin America, Best Buy and NBC Sports Network), Intellectual Property Development, and New Business.

    Franke is charged with directing Anomaly's office in Toronto, continuing to increase the office's momentum and leading a potent mix of talent from a wide range of disciplines, ages, and nationalities, united by an ambition and desire to do something they and their clients can believe in.

    Before Anomaly, Franke spent time as a Marketing Manager at Digitas (which had been awarded Digital Agency of the Year) leading the development of several internationally awarded campaigns and platform programs, as well as time as an Integrated Account Manager at FCB before that.

    Dave
    Douglass

    Partner at Anomaly Toronto

    Dave's career has seen him in senior creative roles, leading teams at Canada's most awarded agencies.

    A graduate of OCAD, Dave started out creating insight-driven work for Lexus, Toyota, Mackenzie Financial, and The Children's Aid Society. He then accepted a posting to London, where he continued to develop successful campaigns for British clients Hamlet Cigars, McEwans Lager, Hampton Court Palace, and the Tower of London.

    Since returning to his homeland (Canada), Dave has developed a diverse array of work for an equally-diverse roster of clients including McDonalds, General Mills, Lexus, Stella Artois, Budweiser, Alexander Keith's, WestJet, Coca-Cola, and Molson.

    His work has been awarded both nationally and internationally, including gold and silver awards from the Cannes International Advertising Festival, The One Show, Clios, CA, D&AD and Media Innovation Awards. In 2005, his work for the Canadian Film Center was the second most awarded campaign in the world.

    Formerly Dave was Co-Creative Chief at Lowe Roche. He and his long time creative collaborator, Pete Breton, are Co-ECDs at Anomaly Toronto.

    Pete
    Breton

    Partner at Anomaly Toronto

    Pete joins Anomaly with a background of leading the Creative departments at some of Canada's largest and most awarded agencies.

    A graduate of McGill University, Pete started his advertising career in Account Management working on Kellogg's, Bell Mobility, Cadbury and P&G. Having helped launch successful strategic campaigns as a suit, Pete took everything he had learned and moved into the Creative department.

    In his role as both a creative and Creative Director, he has worked on a diverse roster of clients, including McDonalds, General Mills, Lexus, Stella Artois, Budweiser, Alexander Keith's, WestJet, Coca-Cola and Molson. His breadth of integrated, innovative work has been awarded both nationally and internationally including gold and silver awards from the Cannes International Advertising Festival, The One Show, Clios, CA, D&AD and Media Innovation Awards. In 2005 his work for the Canadian Film Center was the second most awarded campaign in the world.

    Formerly Pete was Co-Creative Chief at Lowe Roche. He and his long time creative collaborator, Dave Douglass, are Co-ECDs at Anomaly Toronto.

    Lars
    Jorgensen

    Partner, ECD, Anomaly Amsterdam

    Lars was born in Denmark, and grew up amongst engineers and architects, which explains his passion for tinkering with anything from bicycle cranks and surfboards to advertising campaigns.

    The first years of his career were spent in Copenhagen, followed by stops in Miami, Amsterdam and London before ending up in New York, where he spent the last 11 years as an Art and Creative Director before returning to European soil.

    Prior to Anomaly, Lars spent time at agencies such as Grey, Mcgarrybowen, and Saatchi & Saatchi developing award-winning work for brands including the NFL, Captain Morgan, Reebok, Johnnie Walker, The Wallstreet Journal, Marriott, and HP.

    Martin Peters
    Ginsborg

    Partner, ECD, Anomaly Amsterdam

    Apart from being a passionate baker of Danish rugbrød [ˈʁuˌbʁœðˀ], Martin has over the past decade worked as a creative director, copy monger and idea wrangler for agencies on both sides of the Atlantic.

    Before joining Anomaly, he has helped Grey, Saatchi&Saatchi, Mcgarrybowen, Mullen and BBDO win the hearts of global brands like Johnnie Walker, Budweiser, NFL, Marriott, Verizon and Reebok, to name a few.

    In his lack of spare time, Martin is the proud father of two tireless little boys and has been known to chase orangutans in the jungles of Borneo – which have certain similarities.

    Amanda
    Fève

    Partner, Chief Strategy Officer, Anomaly Amsterdam

    Amanda joined Anomaly from Wieden+Kennedy Amsterdam, where she led strategic planning on the agency's global Coca-Cola account. She also worked on Intel, Powerade, and Procter & Gamble.

    Before joining W+K, Amanda worked as a Planning Director at BBH London and at JWT in both New York and London, leading the strategic thinking on global brands such as Johnnie Walker, Barclaycard, J&B, Vodafone, Kellogg's, Kleenex, Tanqueray, Ciroc, Domino's Pizza, and Unilever. In that time, she helped create campaigns for every continent but Antarctica.

    She is a strong proponent of effectiveness, having won an IPA Effectiveness award and helped BBH to win IPA Effectiveness Agency of the Year (2008) and APG Strategy Agency of the Year (2009).

    Amanda once wrote a Facebook status that garnered 14,562 likes (on Coca-Cola's behalf) and takes great pleasure in applying core planning skills in new channels.

    Camilla
    Harrisson

    Partner, CEO, Anomaly London

    Camilla has worked in the UK advertising industry for over 20 years and joined Anomaly in November 2014 from M&C Saatchi.

    During her nine years at M&C Saatchi, as well as running a broad portfolio of client business, she was instrumental in the transformation of the M&C Saatchi Group from ten specialist agencies into one of London’s most powerful integrated propositions. For a number of years she worked in a Group role as COO with the remit of bringing together the disciplines of advertising, CRM, PR, social, mobile, data, insight and building digital expertise across all the Group agencies – before taking up the reins as CEO of the agency.

    Previously Camilla worked at Leo Burnett and Wieden+Kennedy, and got her start in the business in 1994 at WCRS. Much of her earlier career was spent in business development and pitching – a testament to her love of a challenge and a highly competitive nature.

    Camilla plays an active part in the UK industry, being a current member of the IPA Council and a member – and past President (2012/13) – of Women in Advertising and Communications London, or WACL. She also sits on the Corporate Development Board of Mind and is currently running an industry wide initiative around mental health.

    Stuart
    Smith

    Partner, Chief Strategy Officer, Anomaly London

    Stuart has defined his career through marquee strategic leadership roles at both client-side and agency firms. Notably, via his time at both Google Creative Lab and Wieden+Kennedy, Stuart has honed a truly integrated vision of how companies and brands must function and communicate in an increasingly complex business and media landscape.

    Before joining Anomaly, Stuart was the Head of Strategic Planning at Wieden+Kennedy in New York. Whilst there, he led the integrated strategy group across the agency's roster of blue chip clients ranging from Nike to Delta, Target, and P&G. Additionally, Stuart spent time at Google Creative Lab as Director of Planning, where he oversaw initiatives across all Google products (including Search, YouTube, Chrome, Android, Apps, Gmail, AdWords, etc).

    Stuart's unparalleled ability to build and lead an innovative strategic approach makes him a perfect match for the Anomaly proposition and offering.

    Alex
    Holder

    Partner at Anomaly London

    She is the lady half of Oli & Alex – Executive Creative Directors of the London office.

    Formerly, at Wieden+Kennedy and Mother, the team was responsible for a string of viral sensations. Most notably, Oli & Alex re-imagined the way the music industry works by creating the world's first bespoke album for Kaiser Chiefs - a website allowing fans to pick their own songs, design their own artwork and then sell their own version of the album to friends for money. It made headline news from the music press to the Wall Street Journal.

    They were also responsible for the "Make Them Pay" campaign that sought to end the pay gap between men and women. It earned 83 Million views in three weeks, resulting in public backing from the Prime Minster.

    Their personal projects have consistently made news all over the world. They range from a letter to Richard Branson dubbed “the worlds greatest complaint letter” to a photographic recreation of Mills & Boon romance covers for International Women’s Day.

    They have a simple belief that all work should be entertaining or interesting enough to forward on to a friend.

    Alex is currently involved in a series of projects that highlight the fact we can be feminists in any way we choose - anything from political activism to a quiet belief that men and women are equal.

    Oli
    Beale

    Partner at Anomaly London

    He is the hairy half of Oli & Alex – Executive Creative Directors of the London office.

    Formerly, at Wieden+Kennedy and Mother, the team was responsible for a string of viral sensations. Most notably, Oli & Alex re-imagined the way the music industry works by creating the world’s first bespoke album for Kaiser Chiefs - a website allowing fans to pick their own songs, design their own artwork and then sell their own version of the album to friends for money. It made headline news from the music press to the Wall Street Journal.

    They were also responsible for the "Make Them Pay" campaign that sought to end the pay gap between men and women. It earned 83 Million views in three weeks, resulting in public backing from the Prime Minster.

    Their personal projects have consistently made news all over the world. They range from a letter to Richard Branson dubbed “the worlds greatest complaint letter” to a photographic recreation of Mills & Boon romance covers for International Women's Day.

    They have a simple belief that all work should be entertaining or interesting enough to forward on to a friend.

    Before advertising, Oli set up a disastrous record label and was London's worst club promoter. He once booked The Cross, an enormous club, and got just seven people through the door.

    Eric
    lee

    Partner, CEO, Anomaly Shanghai

    Eric is the former Managing Director of JWT Shanghai, where he partnered with Elvis Chau to consistently drive market-leading evolution for the agency, including the expansion of its digital capabilities and the creation of a robust branded content capability. During his tenure, the agency brought home China's first-ever Cannes Grand Prix in 2011, and China's first-ever Grand LIA in the London International Award's history. In 2011, JWT Shanghai was named the Agency of the Year for Greater China by Campaign Asia magazine.

    Eric has over two decades experience in the industry, having spent twelve years with Leo Burnett (in Shanghai and Hong Kong), and two years with Euro RSCG HK, working as a Senior Account Director across a range of international and local clients.

    He is a regular contributor at events designed to promote thought-leadership within Asia's ad industry. In 2012, Eric led a panel on branded content at the Spikes Asia Festival of Creativity, and gave a presentation on how to turn Chinese consumers into brand advocates at the Digital Asia Festival.

    He spoke at WPP's BrandZ Top 50 Most Valuable Chinese Brands award show, and gave a talk on Olympic marketing at the 18th Shanghai Television Festival. He also served as a judge at the 2012 Innovative Marketing Awards in Shanghai.

    Eric is a voracious music fan and loves to travel. He holds a degree in Psychology from the University of Hong Kong.

    Elvis
    Chau

    Partner at Anomaly Shanghai

    Elvis is the former Executive Creative Director of JWT Shanghai, where he partnered with Eric Lee to drive growth and world-class, diverse creative output for the agency, bringing home China's first-ever Cannes Grand Prix in 2011, and China's first-ever Grand LIA at the London International Award's history. In 2011, JWT Shanghai was named the Agency of the Year for Greater China by Campaign Asia magazine.

    He started his career with JWT Singapore in 1999 and spent next twelve years in the three different markets: Singapore, Thailand and China. A champion of effectiveness, Elvis has focused on delivering innovative work that delivers results for clients, and along the way has picked up over 200 awards in shows such as Cannes, Effie, Clio, The One Show, London International, Spikes Asia, Asia Pacific AdFest and respective local awards.

    In 2008, his Adidas China Olympics campaign won the first gold Cannes Lion for China. In 2011, under his leadership as Executive Creative Director, JWT Shanghai made history by clinching the highest number of Cannes Lions: three gold, one silver, two bronze and China's first-ever Grand Prix. And in 2012, he was named one of Fast Company's Most Creative People In Business.

    Richard
    Summers

    Partner, Chief Strategy Officer, Anomaly Shanghai

    Formerly, Richard was a Senior Planner at Wieden+Kennedy Shanghai, where he led strategy across key regional clients Converse, P&G and iShares as well as local clients Beats by Dre, Umbro, Intel, COFCO and others.

    Prior to moving to China in 2009, he was with W+K London, working predominantly on the Nokia global business. While it was consumer research for them that first brought him to Asia, it was the dynamism and possibilities that kept him here.

    Beyond client projects, Richard is a keen advocate of agency-originated initiatives. In 2010, he created "Boomtown Stories", a photo essay and think-piece exploring six of China's fastest growing cities. More recently, he established and ran W+K Shanghai open office initiative, W+K+, which invited an eclectic mix of entrepreneurs and startups into its space from across the creative community. In 2013, he spoke at Spikes Asia on the topic of Creativity and Business in China.

    Richard began his career at Lowe London, across Johnson & Johnson brands, Twinings and Unilever.

    He combines global and local experience from both the East and West, and is passionate about ideas - both big and small - that can shape culture, behaviour, and business.

    James
    Conlon

    Anomaly's North American CFO

    Formerly, Jim was Worldwide CFO of McCann Healthcare, where he was responsible for 22 companies around the world.

    Jim's accounting and financial background spans marketing, manufacturing, consulting and academics. Prior to his eleven-year career in marketing communications, Jim was an auditor and management consultant for Deloitte & Touche for five years, the Finance Director for Dainishisieka Color and Chemical Manufacturing for ten years, and an Adjunct Professor at FDU Graduate School, where he published Advance Accounting Textbooks for McGraw Hill.

    Jim is a Certified Public Accountant and holds his MBA from Pace University, and a Diploma of Information Systems Auditing from NYU.

     

    Eric Lee Elvis Chau Richard Summers 如需了解Anomaly全球团队成员,请点击这里 Eric Lee Elvis Chau Richard Summers Carl Johnson Mike Byrne Johnny Vulkan Richard Mulder Jason DeLand Justin Barocas Karina Wilsher Gareth Goodall Natasha Jakubowski Vivek Bellore Kevin Lyons Franke Rodriguez Dave Douglass Pete Breton Lars Jorgensen Martin Peters Ginsborg Amanda Fève Camilla Harrisson Stuart Smith Alex Holder Oli Beale James Conlon

    Eric lee
    李巍

    李巍是非常创意上海合伙人之一。

    李巍曾担任智威汤逊上海董事总经理,与周锦祥一起坚持推动该机构不断走在市场前沿—包括提高其互动营销能力并加深品牌管理深度。在他在任期间,该机构在2011年带回了中国内地第一座戛纳广告节全场大奖,还获得了中国内地在伦敦国际广告节上获得的首个全场大奖。2011年,智威汤逊上海更被 Campaign Asia杂志评为2011年大中华区“年度最佳广告代理公司”。

    李巍在广告业已经打拼了近20年。在加入智威汤逊上海之前,他在李奥贝纳上海和香港公司服务了12年,在灵智香港公司任职2年时间里担任高级客户总监,负责为各大国际国内客户提供专业服务。

    李巍常受邀参加亚洲广告业内各类行业论坛以提高思想领导力。2012年,李巍在Spikes Asia亚洲创意广告节上主持了有关品牌内容的小组讨论,并在同年北京举办的Digital Asia Festival上以“中国消费者向品牌拥护者的转变”为题作演讲。

    李巍还受邀在2012年WPP集团“最具价值中国品牌50强”颁奖典礼和第18届上海电视节上分别演讲发表个人观点。此外,他担任现场评审参加了“2012中国创新营销大奖”评审工作。

    李巍热爱音乐,也热衷于旅游。他拥有香港大学心理学学士学位。

    Elvis Chau
    周锦祥

    周锦祥是非常创意上海合伙人之一。

    周锦祥曾担任智威汤逊上海办公室执行创意总监,与李巍共同致力于促进该机构的成长,并制作出一流且不拘一格的创意作品。在他的带领下,该机构在2011年带回了中国内地第一座戛纳广告节全场大奖,还获得了中国内地在伦敦国际广告节上获得的首个全场大奖。2011年,智威汤逊上海更被Campaign Asia杂志评为2011年大中华区“年度最佳广告代理公司”。

    周锦祥的广告生涯始于1999年,当时他任职于智威汤逊新加坡,之后他在智威汤逊三个不同的地区一共工作了12年,包括新加坡、泰国和中国。作为实效大师,周锦祥专注于为客户制作富有创意且效果显著的作品,并凭借这些作品赢回了国内外各大广告节超过200个奖项,包括嘎纳、艾菲、克里奥,金铅笔、伦敦国际广告节、Spikes Asia、亚太广告节和其他著名本地广告节。

    2008年,他制作的阿迪达斯中国奥林匹克广告片为中国大陆赢回了第一座嘎纳广告节金奖。2011年,作为执行创意总监的周锦祥带领智威汤逊上海创造了嘎纳广告节获奖记录—共获得三座金狮,一座银狮,两座铜狮和中国大陆首座全场大奖。紧接着在2012年,周锦祥被美国Fast Company评选为“全球最具创意百强”之一。

    Richard
    Summers

    Partner, Chief Strategy Officer, Anomaly Shanghai

    Formerly, Richard was a Senior Planner at Wieden+Kennedy Shanghai, where he led strategy across key regional clients Converse, P&G and iShares as well as local clients Beats by Dre, Umbro, Intel, COFCO and others.

    Prior to moving to China in 2009, he was with W+K London, working predominantly on the Nokia global business. While it was consumer research for them that first brought him to Asia, it was the dynamism and possibilities that kept him here.

    Beyond client projects, Richard is a keen advocate of agency-originated initiatives. In 2010, he created "Boomtown Stories", a photo essay and think-piece exploring six of China's fastest growing cities. More recently, he established and ran W+K Shanghai open office initiative, W+K+, which invited an eclectic mix of entrepreneurs and startups into its space from across the creative community. In 2013, he spoke at Spikes Asia on the topic of Creativity and Business in China.

    Richard began his career at Lowe London, across Johnson & Johnson brands, Twinings and Unilever.

    He combines global and local experience from both the East and West, and is passionate about ideas - both big and small - that can shape culture, behaviour, and business.

    Carl
    Johnson

    Founding Partner at Anomaly

    Carl is responsible for the guardianship and evolution of Anomaly's proposition in an ever-changing, sometimes turbulent, increasingly complex industry, ensuring that Anomaly remains compelling and stimulating as the agency continues to scale internationally.

    He has also spent six years on the board of Effie Worldwide, with four years as Chairman, helping champion the practice and practitioners of effective marketing.

    Formerly, Carl was the COO of TBWA\Worldwide and CEO of its New York office — TBWA/Chiat/Day. Whilst there, he drove both growth and change, and more importantly, introduced the practice of "Connections Planning", arguably the first new industry discipline since the advent of planning.

    As significantly, Carl created an innovative climate that attracted talented professionals and inspired and facilitated their ability to flourish.

    Prior to moving to the U.S., Carl had founded (and subsequently sold) Simons Palmer Clemmow Johnson in the UK — one of the most awarded and respected agencies of its time — with clients including Nike, Sony PlayStation, Virgin, British Telecom, and News Corporation.

    Mike
    Byrne

    Founding Partner at Anomaly

    Formerly, Mike was a Creative Director at Wieden+Kennedy Portland, where he served as the Co-Creative chief for the agency's cornerstone Nike Account from 2000 – 2006. During his tenure, W+K Portland amassed more awards than any other agency in the United States including two Agency of the Year honors. Importantly, Nike's business grew exponentially during the course of those six years.

    While at W+K, Mike managed a creative group of over thirty people, oversaw creative development for Nike in the US and Latin America. Sub-brands with Nike included: Basketball (Pro and Collegiate), Football, Baseball, Running, Cycling (Lance Armstrong/LiveStrong Yellow Band), Olympics, Soccer, Tennis and the ACG division. Products included both footwear and apparel for men and women.

    Mike's work on Lance Armstrong's "Yellow Band" campaign helped raise over $50 million for his charity, LiveStrong.

    Mike has been recognized throughout his career for creative excellence. He has won numerous awards at the Cannes International Advertising Festival (including the Grand Prix 2001), D&AD, The One Show, Art Directors Club, Clios and CA amongst others.

    Mike won an Emmy in 2004 for the film, "Nike Tag".

    In 2002, Details magazine ranked Mike 30th in their "50 Most influential men under 40" issue. The following year Shoot magazine ranked him the third best copywriter in the world.

    Mike is on the board of the Creative Circus in Atlanta, GA where he mentors designers, illustrators, writers and photographers. He keeps himself busy on the creative lecture circuit as well as frequent trips with his wife, daughter, and son to hometown Philadelphia.

    Johnny
    Vulkan

    Founding Partner at Anomaly

    Formerly, Johnny held several high-level and diverse positions in both the UK and US. Prior to Anomaly, Johnny led new product development projects at Fahrenheit 212 where he helped evolve new markets and products for clients that included P&G, General Mills and Starbucks.

    Before Fahrenheit, Johnny spent two years as the Chief Operating Officer of TBWA/Chiat/Day in New York before co-founding the Disruption Group for the company and becoming a Group Creative Director leading communications innovation work for MasterFoods, Absolut Vodka and the agency at large.

    At Anomaly, Johnny is responsible for communications and media innovation as well as stewarding digital strategy and philosophy. When not roaming the internet, he can found exploring the latest cultural trends as far afield as Tokyo, Berlin, Manchester and Buenos Aires.

    Richard
    Mulder

    Founding Partner at Anomaly

    Formerly, Richard held several senior marketing titles at Nike, Inc. In his eleven years, he led Nike's brand communications in Europe, the US, and most recently in the Asia-Pacific Region. He helped grow the business exponentially in each region.

    Richard has more than 100 Nike campaigns under his belt, that won over 75 awards, including an Emmy, a gold and several silver and bronze lions. "The Mission", "Freestyle", "Move" and "Nikelab" are just a few examples of projects he was involved in. Richard played a key role in building Nike as a global soccer brand and is the inventor of the Yellow "LiveStrong" Bracelet.

    From 2001 to 2006 Richard worked closely with ex-W+K Creative Chief and current Anomaly Partner, Mike Byrne.

    Richard was born and raised in Amsterdam. In 2000, he moved to the United States.

    Jason
    DeLand

    Founding Partner at Anomaly

    Formerly, Jason was the New Business Head at TBWA/Chiat/Day, SVP of Marketing for PCCW Hong Kong Telecom, and a Partner for the Brand Consultancy G2 Worldwide.

    While at G2, Jason served as Partner and Head of Business Development where he worked at the Group level to integrate service offerings and compensation structures.

    Prior to G2, Jason spent two years as SVP, Sales and Marketing for PCCW - Hong Kong Telecom, one of the largest marketers in Hong Kong. While at PCCW, Jason helped lead a marketing restructuring of the company's Business to Consumer group, developed M&A marketing strategy, created new product/content initiatives for Greater China and managed several agency relationships, including Omnicom's BBDO and WPP's Ogilvy.

    Jason began his career at the New York office of TBWA/Chiat/Day, where he became the New Business Director at the age of 22. At TBWA/Chiat/Day, Jason helped establish a winning track record and mentality within the agency and put in place a sustained and integrated agency marketing program.

    In 2012, Jason was recognized on AdWeek's "Young Influentials: 20 Under 40" list.

    Justin
    Barocas

    Founding Partner at Anomaly

    Justin is responsible for leading the Media and Communications Strategy practice at Anomaly.

    As Executive Producer and writer, he led the development and production of Avec Eric for PBS and published the companion book with Wiley & Sons. Avec Eric has received two Emmys including 2011 Outstanding Culinary Show, and was awarded 2011 Best Show (on Location) from the James Beard Foundation.

    Additionally, Justin oversees the development of branded entertainment for Anomaly with clients such as Budweiser and Converse, and communications strategies for P&G, Pepsico and Diageo.

    Formerly the Media Director of Wieden+Kennedy NY, Justin helped develop and manage breakthrough integrated communications solutions for brands such as Nike, Virgin America, ESPN, Coca-Cola, Nestle, JetBlue, ESPN and Microsoft.

    Justin's work has been honored by the National Academy of Television Arts & Sciences, the Effies, the OAAA, and the Cannes International Advertising Festival.

    Karina
    Wilsher

    Partner, CEO, Anomaly New York

    Formerly, Karina was the Managing Director of Fallon London, having joined Fallon's Founding Partners in 1999, and successfully grew the agency from creative startup to a Top Ten agency. Under her leadership the agency doubled its revenue, and was awarded Campaign's UK Agency of the Year in 2006 and 2007. Fallon went on to become the most creatively awarded agency in the world (Gunn Report 2008), with creative highlights including a Cannes Grand Prix, a rare D&AD Black Pencil for Cadbury "Gorilla", and international recognition for the agency's Sony Bravia campaign.

    Over ten years at Fallon, Karina ran a broad portfolio of the agency's business, from Sony to the BBC. During her time as Head of Client Services, she built one of the strongest Account Management departments in London and went on to develop an agency-wide talent pool with highly diverse skills to position Fallon as a pioneering, front-of-market company.

    In London, Karina played a key role in the UK industry, including being part of the Training and Development Exec for Women in Advertising and Communications London (WACL) and being a member of the industry body's Client Services Committee at the Institute of Practitioners of Advertising (IPA).

    Gareth
    Goodall

    Chief Strategy Officer at Anomaly New York

    Before joining Anomaly, Gareth held roles as Head of Planning at Saatchi & Saatchi New York and Joint Managing Director and Chief Strategy Officer of Fallon London.

    During his seven years at Fallon, the agency won Campaign's Agency of the Year twice, two Cannes Grand Prix awards, and a Black D&AD Pencil and Campaign's Commercial of the Decade for SONY "Balls". His work for Orange won a Gold APG Award and the prize for Most Progressive Thinking.

    Gareth also sat on the Board of the Account Planning Group and was Chair of Judges for the APG Strategy Awards.

    The Independent named him one of the "100 Most Influential People In British Creative Industries" and he was selected by Campaign as a "Face To Watch" and one of "London's Top 10 Planners".

    Outside of work he enjoys writing and has won The Canongate Prize, the UK's largest prize for new writing. His story, "Salvage", was made into a film starring the actor Peter Capaldi.

    Natasha
    Jakubowski

    Managing Partner at Anomaly New York

    Natasha has been at the forefront of introducing brand strategy into the world of innovation helping clients re-imagine white space business opportunities.

    Prior to Anomaly, Natasha was a Partner and Strategic Director at Redscout, an Innovation Consultancy, where she led the strategic development of new business ideas, brands and products across diverse clients such as Johnson & Johnson, PepsiCo and Diageo among others.

    Prior to Redscout, Natasha served as part of the senior Strategic Planning team at Kirshenbaum Bond, working on marketing and communications strategy for brands including Edward Jones, Meow Mix, and Equal. In addition, she has global brand strategy experience on everything from Heinz to JP Morgan. Natasha holds first-class honors from Oxford University, and a Masters in Media and Communications.

    Vivek
    Bellore

    Director of Social and Data Strategy at Anomaly New York

    Vivek brings with him a diverse background of public- and private-sector experience focused on building opportunity through insightful understanding, pattern identification, and analysis of human behavior.

    Prior to Anomaly, Vivek was Partner/VP of Research and Planning at Attention, specializing in data, analytics and social media. During his five years at the agency, Vivek focused on developing original approaches to working with social data to shape marketing strategies and sales operations. Clients spanned a variety of sectors, ranging from Morgan Stanley to UNICEF. Additionally, Vivek has spent time doing innovation work and product launch strategy for the likes of Microsoft, Epson and SAP.

    Prior to entering the private sector, Vivek worked on projects for the Tibetan Diaspora, as well as launching the Heroes Project in partnership with the Gates Foundation. He spent a year in Mumbai working with Telecom providers, media agencies, global celebrities, and other NGOs to combat the stigma of HIV/AIDS, and he continues to be active in the NGO community by serving as advisor to Generation Citizen, a national program that works to develop the next generation of active and engaged citizens.

    Vivek is a graduate of George Washington University with a degree in Economics and Public Policy. In addition, he spent time studying Indigenous Cultures and Economic Policy while in Australia.

    Kevin
    Lyons

    Energy and Experience at Anomaly

    Kevin Lyons is the former Global Creative Director for Urban Outfitters – one of the most successful urban/youth retailers in the United States and Europe. In a seven-year tenure, Kevin helped shape the brand holistically, including exterior signage, retail environment, digital design, packaging, posters and promotions, book and catalog design, labeling, and products (t-shirts, apparel, lifestyle product graphics). Kevin also led the acclaimed music program, oversaw the brand's PR and marketing, and the corporate design for the umbrella company Urban Outfitters, Inc., (Anthropologie, Free People and Urban Outfitters).

    Prior to Urban Outfitters, Kevin served in a variety of diverse roles including Design Director at Stussy Worldwide, Art Director for filmmaker Spike Jonze's Girl Skateboard Company, US Art Director for Tokion Magazine, and Senior Designer for Nike Inc., where he was responsible for branding several big-time college and pro sports franchises.

    He has written articles for the AIGA Journal, as well as addressing the AIGA twice including once as a published recipient of its Fresh Dialogues Series. He has held teaching assistant positions at both RISD and CalArts, and has been a visiting critic at the Yale Graduate School of Design. He was an Assistant Professor of Typography at the Pratt Institute from 2000-2002.

    Kevin produces two clothing lines; one for 2K, called Atlantis and the other under his personal namesake, NATURAL BORN – both are distributed globally.

    His own art work has been published worldwide from Thrasher, The Face, Lowdown, Anthem and Refill. He has shown worldwide including solo shows in Philadelphia, Los Angeles, San Francisco and Tokyo.

    Kevin’s cultural influence and significance is diverse, including regular collaborations ranging from Colette to Karl Lagerfeld.

    Franke
    Rodriguez

    Partner, CEO, Anomaly Toronto

    Franke joined Anomaly in 2007 as a hybrid account leader and Business Development Director. His ability to span the traditional world and the digital world, coupled with a keen commercial mind (he holds an Economics degree from Columbia University), makes him a versatile and effective business leader.

    Whilst at Anomaly, he has led several business successes across a range of disciplines, including: Client Services (Diageo, Coca-Cola, Virgin America, Best Buy and NBC Sports Network), Intellectual Property Development, and New Business.

    Franke is charged with directing Anomaly's office in Toronto, continuing to increase the office's momentum and leading a potent mix of talent from a wide range of disciplines, ages, and nationalities, united by an ambition and desire to do something they and their clients can believe in.

    Before Anomaly, Franke spent time as a Marketing Manager at Digitas (which had been awarded Digital Agency of the Year) leading the development of several internationally awarded campaigns and platform programs, as well as time as an Integrated Account Manager at FCB before that.

    Dave
    Douglass

    Partner at Anomaly Toronto

    Dave's career has seen him in senior creative roles, leading teams at Canada's most awarded agencies.

    A graduate of OCAD, Dave started out creating insight-driven work for Lexus, Toyota, Mackenzie Financial, and The Children's Aid Society. He then accepted a posting to London, where he continued to develop successful campaigns for British clients Hamlet Cigars, McEwans Lager, Hampton Court Palace, and the Tower of London.

    Since returning to his homeland (Canada), Dave has developed a diverse array of work for an equally-diverse roster of clients including McDonalds, General Mills, Lexus, Stella Artois, Budweiser, Alexander Keith's, WestJet, Coca-Cola, and Molson.

    His work has been awarded both nationally and internationally, including gold and silver awards from the Cannes International Advertising Festival, The One Show, Clios, CA, D&AD and Media Innovation Awards. In 2005, his work for the Canadian Film Center was the second most awarded campaign in the world.

    Formerly Dave was Co-Creative Chief at Lowe Roche. He and his long time creative collaborator, Pete Breton, are Co-ECDs at Anomaly Toronto.

    Pete
    Breton

    Partner at Anomaly Toronto

    Pete joins Anomaly with a background of leading the Creative departments at some of Canada's largest and most awarded agencies.

    A graduate of McGill University, Pete started his advertising career in Account Management working on Kellogg's, Bell Mobility, Cadbury and P&G. Having helped launch successful strategic campaigns as a suit, Pete took everything he had learned and moved into the Creative department.

    In his role as both a creative and Creative Director, he has worked on a diverse roster of clients, including McDonalds, General Mills, Lexus, Stella Artois, Budweiser, Alexander Keith's, WestJet, Coca-Cola and Molson. His breadth of integrated, innovative work has been awarded both nationally and internationally including gold and silver awards from the Cannes International Advertising Festival, The One Show, Clios, CA, D&AD and Media Innovation Awards. In 2005 his work for the Canadian Film Center was the second most awarded campaign in the world.

    Formerly Pete was Co-Creative Chief at Lowe Roche. He and his long time creative collaborator, Dave Douglass, are Co-ECDs at Anomaly Toronto.

    Lars
    Jorgensen

    Partner, ECD, Anomaly Amsterdam

    Lars was born in Denmark, and grew up amongst engineers and architects, which explains his passion for tinkering with anything from bicycle cranks and surfboards to advertising campaigns.

    The first years of his career were spent in Copenhagen, followed by stops in Miami, Amsterdam and London before ending up in New York, where he spent the last 11 years as an Art and Creative Director before returning to European soil.

    Prior to Anomaly, Lars spent time at agencies such as Grey, Mcgarrybowen, and Saatchi & Saatchi developing award-winning work for brands including the NFL, Captain Morgan, Reebok, Johnnie Walker, The Wallstreet Journal, Marriott, and HP.

    Martin Peters
    Ginsborg

    Partner, ECD, Anomaly Amsterdam

    Apart from being a passionate baker of Danish rugbrød [ˈʁuˌbʁœðˀ], Martin has over the past decade worked as a creative director, copy monger and idea wrangler for agencies on both sides of the Atlantic.

    Before joining Anomaly, he has helped Grey, Saatchi&Saatchi, Mcgarrybowen, Mullen and BBDO win the hearts of global brands like Johnnie Walker, Budweiser, NFL, Marriott, Verizon and Reebok, to name a few.

    In his lack of spare time, Martin is the proud father of two tireless little boys and has been known to chase orangutans in the jungles of Borneo – which have certain similarities.

    Amanda
    Fève

    Partner, Chief Strategy Officer, Anomaly Amsterdam

    Amanda joined Anomaly from Wieden+Kennedy Amsterdam, where she led strategic planning on the agency's global Coca-Cola account. She also worked on Intel, Powerade, and Procter & Gamble.

    Before joining W+K, Amanda worked as a Planning Director at BBH London and at JWT in both New York and London, leading the strategic thinking on global brands such as Johnnie Walker, Barclaycard, J&B, Vodafone, Kellogg's, Kleenex, Tanqueray, Ciroc, Domino's Pizza, and Unilever. In that time, she helped create campaigns for every continent but Antarctica.

    She is a strong proponent of effectiveness, having won an IPA Effectiveness award and helped BBH to win IPA Effectiveness Agency of the Year (2008) and APG Strategy Agency of the Year (2009).

    Amanda once wrote a Facebook status that garnered 14,562 likes (on Coca-Cola's behalf) and takes great pleasure in applying core planning skills in new channels.

    Camilla
    Harrisson

    Partner, CEO, Anomaly London

    Camilla has worked in the UK advertising industry for over 20 years and joined Anomaly in November 2014 from M&C Saatchi.

    During her nine years at M&C Saatchi, as well as running a broad portfolio of client business, she was instrumental in the transformation of the M&C Saatchi Group from ten specialist agencies into one of London’s most powerful integrated propositions. For a number of years she worked in a Group role as COO with the remit of bringing together the disciplines of advertising, CRM, PR, social, mobile, data, insight and building digital expertise across all the Group agencies – before taking up the reins as CEO of the agency.

    Previously Camilla worked at Leo Burnett and Wieden+Kennedy, and got her start in the business in 1994 at WCRS. Much of her earlier career was spent in business development and pitching – a testament to her love of a challenge and a highly competitive nature.

    Camilla plays an active part in the UK industry, being a current member of the IPA Council and a member – and past President (2012/13) – of Women in Advertising and Communications London, or WACL. She also sits on the Corporate Development Board of Mind and is currently running an industry wide initiative around mental health.

    Stuart
    Smith

    Partner, Chief Strategy Officer, Anomaly London

    Stuart has defined his career through marquee strategic leadership roles at both client-side and agency firms. Notably, via his time at both Google Creative Lab and Wieden+Kennedy, Stuart has honed a truly integrated vision of how companies and brands must function and communicate in an increasingly complex business and media landscape.

    Before joining Anomaly, Stuart was the Head of Strategic Planning at Wieden+Kennedy in New York. Whilst there, he led the integrated strategy group across the agency's roster of blue chip clients ranging from Nike to Delta, Target, and P&G. Additionally, Stuart spent time at Google Creative Lab as Director of Planning, where he oversaw initiatives across all Google products (including Search, YouTube, Chrome, Android, Apps, Gmail, AdWords, etc).

    Stuart's unparalleled ability to build and lead an innovative strategic approach makes him a perfect match for the Anomaly proposition and offering.

    Alex
    Holder

    Partner at Anomaly London

    She is the lady half of Oli & Alex – Executive Creative Directors of the London office.

    Formerly, at Wieden+Kennedy and Mother, the team was responsible for a string of viral sensations. Most notably, Oli & Alex re-imagined the way the music industry works by creating the world's first bespoke album for Kaiser Chiefs - a website allowing fans to pick their own songs, design their own artwork and then sell their own version of the album to friends for money. It made headline news from the music press to the Wall Street Journal.

    They were also responsible for the "Make Them Pay" campaign that sought to end the pay gap between men and women. It earned 83 Million views in three weeks, resulting in public backing from the Prime Minster.

    Their personal projects have consistently made news all over the world. They range from a letter to Richard Branson dubbed “the worlds greatest complaint letter” to a photographic recreation of Mills & Boon romance covers for International Women’s Day.

    They have a simple belief that all work should be entertaining or interesting enough to forward on to a friend.

    Alex is currently involved in a series of projects that highlight the fact we can be feminists in any way we choose - anything from political activism to a quiet belief that men and women are equal.

    Oli
    Beale

    Partner Anomaly London

    He is the hairy half of Oli & Alex – Executive Creative Directors of the London office.

    Formerly, at Wieden+Kennedy and Mother, the team was responsible for a string of viral sensations. Most notably, Oli & Alex re-imagined the way the music industry works by creating the world’s first bespoke album for Kaiser Chiefs - a website allowing fans to pick their own songs, design their own artwork and then sell their own version of the album to friends for money. It made headline news from the music press to the Wall Street Journal.

    They were also responsible for the "Make Them Pay" campaign that sought to end the pay gap between men and women. It earned 83 Million views in three weeks, resulting in public backing from the Prime Minster.

    Their personal projects have consistently made news all over the world. They range from a letter to Richard Branson dubbed “the worlds greatest complaint letter” to a photographic recreation of Mills & Boon romance covers for International Women's Day.

    They have a simple belief that all work should be entertaining or interesting enough to forward on to a friend.

    Before advertising, Oli set up a disastrous record label and was London's worst club promoter. He once booked The Cross, an enormous club, and got just seven people through the door.

    James
    Conlon

    Anomaly's North American CFO

    Formerly, Jim was Worldwide CFO of McCann Healthcare, where he was responsible for 22 companies around the world.

    Jim's accounting and financial background spans marketing, manufacturing, consulting and academics. Prior to his eleven-year career in marketing communications, Jim was an auditor and management consultant for Deloitte & Touche for five years, the Finance Director for Dainishisieka Color and Chemical Manufacturing for ten years, and an Adjunct Professor at FDU Graduate School, where he published Advance Accounting Textbooks for McGraw Hill.

    Jim is a Certified Public Accountant and holds his MBA from Pace University, and a Diploma of Information Systems Auditing from NYU.

     
     
  • Anomaly IPAnomaly知识产权产品

    We believe in the power and value of ideas; consequently, we develop, incubate, invest in and curate new ideas, products and properties.

    AVEC ERIC
    A joint venture creating an Emmy-winning TV series, book deals, and licensing opportunities with Eric Ripert, the Head Chef and Co-Owner of Le Bernardin.
     
    EOS
    A venture in global skin and beauty care focused on lip balms and shaving products that used our brand and design talents.
     
    MIGHTY JAXX
    A joint venture with innovator and creator Jackson Aw to ignite the world's next big urban art movement.

    我们坚信理念的力量和价值,因此我们开发、酝酿、投入时间和精力并管理新理念、产品和资产。

    AVEC ERIC
    与知名主厨,顶级餐厅Le Bernadin的合伙人 Eric Ripert建立的合资公司,制作了荣获艾美奖的电视 节目和畅销书。
     
    EOS
    与专注于唇膏和脱毛产品的全球性护肤与美容 品牌建立合资公司,充分发挥Anomaly品牌建设与设计 人才的优势。
     
    MIGHTY JAXX
    与创新者欧杰盛Jackson Aw组建合资公司,激发下一场盛大的现代街头艺术运动。
  • News新闻

    AdAge \ Jan 2015

    2015 Agency A-List: Anomaly

    AdAge \ Jan 2015

    Creativity Innovators of the Year

    Fast Company \ Feb 2014

    Most Innovative Companies in Advertising

    Fast Company \ Feb 2008

    World's 50 Most Innovative Companies

    April 2008

    Madison Avenue's Do It All Startup Business 2.0

    AdAge \ Feb 2015

    Anomaly Picks Up the MLB Business

    Fast Company \ Feb 2014

    Anomaly: World's Top 10 Most Innovative Companies in Advertising

    Marketing \ Feb 2014

    Anomaly Launches the Budweiser Red Zeppelin

    May 2013

    Anomaly Expands Global Reach With Shanghai Office Opening

    April 2013

    Agencies Go From Jingles to Entrepreneurship

    Feb 2013

    Anomaly Launches 'Unfortunately Small Gallery'

    Jan 2013

    Anomaly - Standout Agency - Adage Agency A-List 2013

    Dec 2012

    Big Players, Big Ideas: Carl Johnson - Anomaly Definitely Not An Ad Agency

    Aug 2012

    Bud Light Chooses Anomaly In Canada

    Aug 2012

    Mario Batali And Eric Ripert 'On The Table'

    July 2012

    Anomaly Toronto Drives Off With Mini Account

    June 2012

    Budweiser Rolls Out 'Track Your Bud' Experience

    April 2012

    Franke Rodriguez to Lead Anomaly Toronto

    March 2012

    Effies Survey Spotlights Data-Ownership Debate, Pinterest Interest

    Feb 2012

    Kevin Lyons' Monster Collaboration With Mei in Tokyo

    Jan 2012

    Anomaly Adds Diverse Creative and Strategic Firepower

    Jan 2012

    Dick's Sporting Goods Chooses Anomaly as Agency

    Nov 2011

    Anomaly Opens Amsterdam

    June 2011

    'Cannes Has Changed' and 'Content Isn't King' Anomaly's Carl Johnson Returns to the Festival

    June 2011

    Anomaly's 'Avec Eric' Nabs Second Emmy

    May 2011

    Budweiser and Anomaly Enter the Reality TV Realm With 'The Big Time'

    March 2011

    Paris: Kevin Lyons Monsterizes Colette Water Bar

    Dec 2010

    Adweek: Agency of the Year: Insurgent

    June 2010

    Cannes Grand Prix: Anomaly Wins Grand Prix for Be Stupid

    AdvertisingAge \ Jan 2008

    Agency A-List: Anomaly

     

    AdAge \ Jan 2015

    2015 Agency A-List: Anomaly

    AdAge \ Jan 2015

    Creativity Innovators of the Year

    Fast Company \ Feb 2014

    Most Innovative Companies in Advertising

    Fast Company \ Feb 2008

    World's 50 Most Innovative Companies

    April 2008

    Madison Avenue's Do It All Startup Business 2.0

    AdAge \ Feb 2015

    Anomaly Picks Up the MLB Business

    Fast Company \ Feb 2014

    Anomaly: World's Top 10 Most Innovative Companies in Advertising

    Marketing \ Feb 2014

    Anomaly Launches the Budweiser Red Zeppelin

    May 2013

    Anomaly Expands Global Reach With Shanghai Office Opening

    April 2013

    Agencies Go From Jingles to Entrepreneurship

    Feb 2013

    Anomaly Launches 'Unfortunately Small Gallery'

    Jan 2013

    Anomaly - Standout Agency - Adage Agency A-List 2013

    Dec 2012

    Big Players, Big Ideas: Carl Johnson - Anomaly Definitely Not An Ad Agency

    Aug 2012

    Bud Light Chooses Anomaly In Canada

    Aug 2012

    Mario Batali And Eric Ripert 'On The Table'

    July 2012

    Anomaly Toronto Drives Off With Mini Account

    June 2012

    Budweiser Rolls Out 'Track Your Bud' Experience

    April 2012

    Franke Rodriguez to Lead Anomaly Toronto

    March 2012

    Effies Survey Spotlights Data-Ownership Debate, Pinterest Interest

    Feb 2012

    Kevin Lyons' Monster Collaboration With Mei in Tokyo

    Jan 2012

    Anomaly Adds Diverse Creative and Strategic Firepower

    Jan 2012

    Dick's Sporting Goods Chooses Anomaly as Agency

    Nov 2011

    Anomaly Opens Amsterdam

    June 2011

    'Cannes Has Changed' and 'Content Isn't King' Anomaly's Carl Johnson Returns to the Festival

    June 2011

    Anomaly's 'Avec Eric' Nabs Second Emmy

    May 2011

    Budweiser and Anomaly Enter the Reality TV Realm With 'The Big Time'

    March 2011

    Paris: Kevin Lyons Monsterizes Colette Water Bar

    Dec 2010

    Adweek: Agency of the Year: Insurgent

    June 2010

    Cannes Grand Prix: Anomaly Wins Grand Prix for Be Stupid

    AdvertisingAge \ Jan 2008

    Agency A-List: Anomaly

     
  • FAQ常⻅见问题

    1 \ 2 \ 3 \ 4 \ 5 \ 6 \ 7

    Why is the company called Anomaly?

    Anomaly is a response to the widespread recognition in the industry that "the models are all broken" and "the traditional solutions are all becoming less and less effective." From the company's inception, we realized intuitively that, in order to succeed, we needed to create an entity that was, literally, an "Anomaly" – something that deviates from the norm or from expectations.

    To that end, Anomaly possesses an extremely diverse and elastic set of skills; operates on a progressive and entrepreneurial business model; focuses on creating business solutions; and lastly, has broken down traditional silos through a single bottom line – so as opposed to the status quo, mega-mall-esque conglomerations of specialty service providers, we can offer our partners solutions that are untainted by financial bias.

    What makes Anomaly different from a traditional agency?

    The typical agency views a client's needs through the lens of its own core capabilities and fixed resources. As a result, despite the complexity and diversity of the client's problems, the agency invariably arrives at the same solution.

    This shouldn't be a surprise, since, from the agencies' point-of-view, the client "must" do advertising, or design, or digital etc., because that is the service the agency is designed to provide and the one that affords it the greatest profit.

    On the other hand, while Anomaly is more than capable of doing "traditional communications," we're not ideologically or infrastructurally compelled to, because our business model permits us to manifest our capabilities and choose our resources through the lens of the business issue or opportunity.

    How is Anomaly different from an all-star team put together by an agency holding company?

    Holding companies tend to be a collection of silo-like fiefdoms based on individual disciplines – the ad agency, the design group, the media department, the direct marketing division, etc. – that all have different P&Ls and agendas.

    What this means for the client is that the resulting end product of their collaboration isn't necessarily an objectively conceived, truly innovative solution, but more likely and unfortunately, a discipline-centric solution that is awkwardly integrated across channels as best as possible.

    In the case of Anomaly, we are in a constant drive to recruit and retain some of the world's best talent from a wide range of backgrounds. We all share a common goal, and a single bottom line that's influenced by our passion for solving business issues and capturing opportunities. Consequently, we contend that the best solution is the most effective and appropriate solution, regardless of whether or not it occupies one or more categories in the advertising award show circuit.

    What's the benefit of a diverse range of skills?

    "To a man with a hammer, every problem is a nail."

    At its simplest, the breadth of skills we possess allows us to recommend what is right for the specific business challenge rather than reflect a bias to a particular discipline like 'advertising' or 'digital' or 'PR'.

    Not a jack-of-all-trades approach, but a collection of very high-level people working together who understand that the really big ideas can come from anywhere. Collaboration and mutual respect are critical: while our skill set is diverse, what unites our team is the rare combination of high talent and low ego.

    Overlay on that the prospect of ideas that seamlessly flow and build across channels and the benefits are clear.

    How does Anomaly think about media?

    Today, everything is media.

    The lines between creative and media have blurred, unpaid media is increasingly important, and what constitutes 'media' is harder to define.

    Is an app creative or media? What about social media? Is building a technology-based platform a media buy? How can I make more out of my retail presence? Why should I pay to go on television when I can put a film on YouTube? Am I even asking the right questions?

    Within this complexity, though, lies great opportunity. Architecting a multimedia program, with equal emphasis on flair and accountability, offers the possibility of greater effectiveness than ever before.

    That philosophy, along with great clients, has enabled Anomaly to win the Gold Effie for Media two years running. Being proven innovative, creative, and effective in media strategy is an accomplishment we're proud of, and is something that lies at the heart of virtually all of our work.

    Who is Anomaly's competition?

    Because the Anomaly model is so drastically different, there is no single entity that we see as a competitor. Frankly, we're much more focused on collaboration than competition. Anomaly champions collaboration, so we'll work with anyone and everyone in order to generate the best solutions.

    Why doesn’t Anomaly do time sheets?

    Since our founding, we have never done a time sheet. We do not believe in the practice of selling time.

    At best, selling time is a commoditizing force that encourages agencies to staff more and take longer to deliver - at worst, selling time is selling a lie.

    Anomaly does not sell time. Rather we sell the value of our output.

    Some ask how do you do this? How do you prove value?

    The answer is simple: You deliver more value than you are getting paid and you back the quality of your ideas in the marketplace with performance bonuses.

    That places all the pressure on Anomaly, but we like pressure, and even more we like the honesty and simplicity of willing buyer and willing seller.

    This approach fosters an internal culture that values doing what is right for the business. A culture that hunts for the best solution and focuses on delivering a result vs. delivering a service.

    1 \ 2 \ 3 \ 4 \ 5 \ 6 \ 7

    公司为什么起名叫“Anomaly”?

    广告行业内普遍认为,现在的“模式已经全面崩盘”,而“传统的解决方案正在越来越失去效力”,而 Anomaly正是对此看法的回应。自Anomaly建立之初,我们就直觉地意识到,为了获得成功,我们需要创建一个实体,字面意义上说,就是“非常”— 不同寻常或者出乎预料。

    为了这个目标,Anomaly掌握变化多样且极富灵活性的技能,并采用先进的商业运营模式,专注于提供商业解决方案,最终,打破传统禁锢 — 不同于现在大多数提供专一业务的超大型公司,我们向合作伙伴提供的方案不是根据资金多少而制定。

    Anomaly和传统广告公司有什么区别?

    典型的广告公司,对待客户的需求总是从其自身的核心能力和固定资源出发。结果就是,无论客户遇到问题的复杂程度和多样性,广告公司总是提供相同的解决方案。

    这应该不足为奇,因为,从广告公司的角度,客户“必须”做广告,或者设计,或者互动等等,因为这些都是专为广告公司而生且广告公司能够提供且获利最多的服务内容。

    另一方面,尽管Anomaly能够提供的不仅仅是“传统大众传播”,我们并没有受到思想意识形态或者基础构建的禁锢,因为我们的商业模式允许我们,从商业问题或者商业机会的视角,充分自我展示,并择优选择资源。

    相对于一家代理控股公司组建的全明星团队,Anomaly的区别是什么?

    控股公司往往像是一个将不同原则的部门聚集在一起的集合体 — 广告代理、设计部、媒体部、直销部等等 — 他们都拥有不同的P&L和日程。

    而这对客户来说就意味着,他们联合起来完成的最终产品,并不一定是客观的、真正具有创意的解决方案,而更有可能,甚至更不幸的,是一个笨拙地尽可能整合了所有渠道且以各事业单位为中心的解决方案。

    就Anomaly而言,我们一直都非常想要聘请全球来自不同背景的最棒的人才。我们拥有共同目标和基本准则,这些都来自于我们对于解决商业问题、抓住商业机会的热情。也正因为如此,我们认为,最佳解决方案一定是最有效、最恰当的那个方案。

    拥有不同类型的技能的好处是什么?

    “对于一个手中持有榔头的人而言,所有的问题都变成了小小的钉子。”

    简单来说,我们拥有的技能的宽度让我们能够对于某个商业难题提出具体的建议,而不是倾向于一个特定的方向,例如广告、互动或者公关。

    这虽然不是万全之策,但却把一帮了解伟大创意无处不在的高层次人才聚集在一起工作。相互协作与相互尊重至关重要--尽管我们拥有各自不同的技能,但是真正凝聚团队的,是高素质人才与低自我意识的罕见结合。

    与此同时,这样的团队让好意念自由流动生长,涵盖各类型的渠道,创造最佳的建议。

    Anomaly如何看待媒体?

    当下,媒体无处不在。

    创意与媒体之间的界限已经越发模糊 — 免费媒体正在变得越来越重要—而“媒体”的构成也更加难以界定。

    手机应用是创意还是媒体?那么社交媒体呢?建立一个技术型的平台是媒介购买吗?我怎样才能从零售业务中获得更多?当我能够在视频网站上上传一部影片时,我为什么还要付钱上电视广告?我问到点子上了吗?

    尽管情况如此复杂,巨大的商机仍然存在。建立一个多媒体项目,创造冲击力与效果并行的意念,就有可能获得前所未有的惊人效果。

    这一哲理,结合我们的优秀客户,让Anomaly获得了艾菲奖媒介类金奖。我们在媒介策略上的创新立异、创意无限和富有实效,是我们深感自豪的成就,而这也体现在我们所有作品的核心之中。

    Anomaly的竞争对手是谁?

    因为Anomaly的模式是如此与众不同,还没有一个独立的实体可以与我们竞争。坦白讲,与竞争相比,我们更关注协作。Anomaly赞成协作,所以为了拿出最佳解决方案,我们会跟任何人甚至每一个人合作。

    Anomaly为什么不填工时报表?

    自Anomaly成立以来,我们从来没有填过一张工时报表。我们并不赞成卖“时间”这个做法。

    最佳情况下,卖时间是一种商品化过程,它鼓励代理公司雇佣更多的员工,拖延交付时间。最差的情况就可以说,卖时间就是卖谎言。

    Anomaly不卖时间,我们甚至不收集相关数据。相反,我们卖的,是我们创造的价值。

    有些人会问,那你们怎么做?你们如何证明价值?

    答案很简单,你创造超过对方付出的报酬所期待的价值,你用杰出的工作赢得的奖金来证明这理念的力量。

    这会让Anomaly身负重任。但是,我们喜欢这种压力,我们甚至更喜欢“愿买愿卖”的简单与坦诚。

  • Call On Us联系我们

    KEY CONTACTS

    For New York and network new business opportunities, contact Eric Damassa at edamassa@anomaly.com

    For New York and network PR opportunities, contact Emily Hodkins at ehodkins@anomaly.com

    NYC

    536 Broadway, 11th Fl.
    New York, NY 10012
    USA

    MAIN NUMBER
    +1 917 595 2200

    KARINA WILSHER
    karina@anomaly.com
    Partner & CEO

    TOR

    46 Spadina Ave, Suite 200
    Toronto, ON M5V 2H8
    Canada

    MAIN NUMBER
    +1 647 547 3440

    FRANKE RODRIGUEZ
    franke@anomaly.com
    Partner & CEO

    LON

    22 St James's Walk
    London EC1R 0AP
    England

    MAIN NUMBER
    +44 207 843 0600

    CAMILLA HARRISSON
    camilla@anomaly.com
    Partner & CEO

    AMS

    Herengracht 551
    1017 BW Amsterdam
    The Netherlands

    MAIN NUMBER
    +31 20 308 0380

    AMANDA FÈVE
    amanda@anomaly.com
    Partner & CSO

    SHA

    No. 205 Wulumuqi South Rd
    Shanghai 200031
    China

    MAIN NUMBER
    +86 21 5121 9101

    ERIC LEE
    eric@anomaly.com
    Partner & CEO


    CAREER OPPORTUNITIES:

    NYC talent@anomaly.com TOR catalent@anomaly.com LON uktalent@anomaly.com AMS damtalent@anomaly.com SHA cntalent@anomaly.com


    KEY CONTACTS

    For New York and network new business opportunities, contact Eric Damassa at edamassa@anomaly.com

    For New York and network PR opportunities, contact Emily Hodkins at ehodkins@anomaly.com

    NYC

    536 Broadway, 11th Fl.
    New York, NY 10012
    USA

    MAIN NUMBER
    +1 917 595 2200

    KARINA WILSHER
    karina@anomaly.com
    Partner & CEO

    TOR

    46 Spadina Ave, Suite 200
    Toronto, ON M5V 2H8
    Canada

    MAIN NUMBER
    +1 647 547 3440

    FRANKE RODRIGUEZ
    franke@anomaly.com
    Partner & CEO

    LON

    22 St James's Walk
    London EC1R 0AP
    England

    MAIN NUMBER
    +44 207 843 0600

    CAMILLA HARRISSON
    camilla@anomaly.com
    Partner & CEO

    AMS

    Herengracht 551
    1017 BW Amsterdam
    The Netherlands

    MAIN NUMBER
    +31 20 308 0380

    AMANDA FÈVE
    amanda@anomaly.com
    Partner & CSO

    SHA

    PR. CHINA
    200031
    上海市徐汇区
    乌鲁木齐南路205号

    MAIN NUMBER
    8621-51219101

    ERIC LEE
    eric@anomaly.com
    Partner & CEO


    CAREER OPPORTUNITIES:

    NYC talent@anomaly.com TOR catalent@anomaly.com LON uktalent@anomaly.com AMS damtalent@anomaly.com SHA cntalent@anomaly.com