Anomaly
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    Deviation
    or departure
    from the normal
    or common order,
    form, or rule.

    syn: abnormality \ deviation \
    exception \ irregularity \ rarity

    los angeles \ new york \ toronto \ london \ amsterdam \ shanghai

     

     

     

     

  • Why we exist

    Whenever you find yourself on the side of the majority, it is time to pause and reflect.

    Mark Twain

    My biggest competitor today is a person with an idea.

    Nabil Sakkab
    Head of Research & Development Procter & Gamble

    The right question is usually more important than the right answer to the wrong question.

    Alvin Toffler

    The crowd is untruth.

    Søren Kierkegaard

    Your clients are in trouble. They are looking to you to save them. The ad inventory that has been sold for the last 50 years no longer works, and marketers have started to figure that out. In the process, your clients will fire, hire, fire, and hire agency after agency… seeking someone — anyone! — who can help them (perhaps) on where to go next.

    John Stratton
    CMO Verizon Wireless

    We need to reinvent the way we market to consumers. We need a new model. It does not exist. No one else has one yet. But we need to get going now.

    A.G. Lafley
    Chairman / CEO Procter & Gamble

    With more countries, more customer segmentation, more media, and more distribution channels, companies and their CMOs are waging a battle with complexity.

    The McKinsey Quarterly

    The traditional approaches are now obsolete. One hundred years of marketing thoughts are gone. Alternative approaches aren’t a novelty. They are all we’ve got left.

    Seth Godin
    Purple Cow

    The threat is if agencies don’t look at the model and explore new forms of connection and collaboration.

    Brian Perkins
    VP Corporate Marketing J&J

    The world is more connected but marketing is becoming more regionalized, and more individualized. Personalization is not a trend. It is a marketing tsunami that will transform how we think about and manage global brands.

    Larry Light
    Former CMO McDonald’s

     

     

     

     

  • About us

    Business Week

    Since its inception in 2004, the founders and directors have truly shown a different way of doing things, blurring the borders between providing traditional marketing services and working as a business development partner. Eschewing the traditional client / agency relationship, Anomaly works to develop intellectual property for both itself and for its clients…

    Fast Company

    When a client comes in with an advertising problem, Anomaly addresses it more broadly as a business issue, analyzing everything from design to product development.

    Campaign

    Anomaly bills itself very clearly as a new model agency. It describes itself as a response to the notion that the old agency models "are all broken" and "the traditional solutions are becoming less and less effective". Its positioning sounds like a bunch of clichés, because so many agencies are talking about the need to re-gear their approach around the same principles: ideas-led, media-neutral, integrated, multi-disciplinary. Anomaly, though, launched with these principles at its core.

    Creative Review

    Anomaly is definitely not an "Ad Agency." The company sets store by developing its own intellectual property, which it can license to clients in return for share in revenues. Their aspiration is to be a product developing IP company, marketing their own portfolio of IP as well as doing that for major brands.

    Campaign

    As you might expect from its name, Anomaly is no ordinary agency; it is more of a response to the countless calls for agencies to drag themselves into the
    21st century.

    Adweek

    The ad world is changing and Anomaly's model is set up to lead that change.

    AdAge

    Anomaly decries tradition and craves revolution. Its real selling point is that its principals have diverse skill sets in interactive marketing, media strategy, and design – as well as advertising – so that clients can have faith they will get a marketing solution rather than an ad campaign.

    Creativity

    The agency [Anomaly] is structured for innovation and multidisciplinary problem solving – not just the partners, but every member of the team contributes on every project on all levels.

    Adweek

    "They were intriguing to us because they weren't mired down in a lot of layers. They were great creative and strategic people on a mission to create a vision for their agency to solve client problems," says Sara Schmid, advertising manager. "They were very conscientious ... about how things worked in stores, how the visual language would play into it."

    New York Times

    Anomaly have started up to capitalize on the desire among marketers to do things differently – and the inability of many bigger agencies to accomplish that.

     

     

     

     

  • People

    Carl Johnson
    Richard Mulder
    Karina Wilsher
    Chris Hinkaty
    Giovanni Villamar
    Kevin Lyons
    Dave Douglass
    Stuart Smith
    Amanda Fève
    Eric Lee
    James Conlon
    Mike Byrne
    Jason DeLand
    Gareth Goodall
    Natasha Jakubowski
    Mauricio Galvan
    Aisea Laungaue
    Pete Breton
    Alex Holder
    Lars Jorgensen
    Elvis Chau
    Eric Damassa
    Johnny Vulkan
    Justin Barocas
    Eric Segal
    Vivek Bellore
    Omar Quiñones
    Franke Rodriguez
    Camilla Harrisson
    Oli Beale
    Martin Peters Ginsborg
    Richard Summers

    Carl
    Johnson

    Founding Partner

    Carl is responsible for the guardianship and evolution of Anomaly's proposition in an ever-changing, sometimes turbulent, increasingly complex industry, ensuring that Anomaly remains compelling and stimulating as the agency continues to scale internationally.

    He has also spent six years on the board of Effie Worldwide, with four years as Chairman, helping champion the practice and practitioners of effective marketing.

    Formerly, Carl was the COO of TBWA\Worldwide and CEO of its New York office — TBWA/Chiat/Day. Whilst there, he drove both growth and change, and more importantly, introduced the practice of "Connections Planning", arguably the first new industry discipline since the advent of planning.

    As significantly, Carl created an innovative climate that attracted talented professionals and inspired and facilitated their ability to flourish.

    Prior to moving to the U.S., Carl had founded (and subsequently sold) Simons Palmer Clemmow Johnson in the UK — one of the most awarded and respected agencies of its time — with clients including Nike, Sony PlayStation, Virgin, British Telecom, and News Corporation.

    Richard
    Mulder

    Founding Partner

    Formerly, Richard held several senior marketing titles at Nike, Inc. In his eleven years, he led Nike's brand communications in Europe, the US, and most recently in the Asia-Pacific Region.

    He helped grow the business exponentially in each region. Richard has more than 100 Nike campaigns under his belt, that won over 75 awards, including an Emmy, a gold and several silver and bronze lions. "The Mission", "Freestyle", "Move" and "Nikelab" are just a few examples of projects he was involved in. Richard played a key role in building Nike as a global soccer brand and is the inventor of the Yellow "LiveStrong" Bracelet.

    From 2001 to 2006 Richard worked closely with ex-W+K Creative Chief and current Anomaly Partner, Mike Byrne.

    Richard was born and raised in Amsterdam. In 2000, he moved to the United States.

    Karina
    Wilsher

    Partner, CEO, Anomaly New York

    Formerly, Karina was the Managing Director of Fallon London, having joined Fallon's Founding Partners in 1999, and successfully grew the agency from creative startup to a Top Ten agency. Under her leadership the agency doubled its revenue, and was awarded Campaign's UK Agency of the Year in 2006 and 2007. Fallon went on to become the most creatively awarded agency in the world (Gunn Report 2008), with creative highlights including a Cannes Grand Prix, a rare D&AD Black Pencil for Cadbury "Gorilla", and international recognition for the agency's Sony Bravia campaign.

    Over ten years at Fallon, Karina ran a broad portfolio of the agency's business, from Sony to the BBC. During her time as Head of Client Services, she built one of the strongest Account Management departments in London and went on to develop an agency-wide talent pool with highly diverse skills to position Fallon as a pioneering, front-of-market company.

    In London, Karina played a key role in the UK industry, including being part of the Training and Development Exec for Women in Advertising and Communications London (WACL) and being a member of the industry body's Client Services Committee at the Institute of Practitioners of Advertising (IPA).

    Chris
    Hinkaty

    Managing Partner, Managing Director, Anomaly New York

    Chris is responsible for driving operational excellence across Anomaly’s New York office.

    Before joining Anomaly, Chris was an EVP, Group Account Director at Grey NY, where he led teams that evolved the agency’s model by introducing digital, PR, activation and content programs into new campaigns for blue chip clients. He oversaw powerful re-launches for brands such as Red Lobster, Cannon, Ketel One, and Captain Morgan. Chris also crafted and rolled out the agency’s communication strategy process, enabling all teams to apply a media agnostic philosophy to their work.

    Prior to Grey, Chris played a dual role at Gotham, leading major clients while also overseeing all of the agency's digital initiatives as the Director of Interactive Services. He has also had his heart broken by the New York Mets every year since 1987.

    Giovanni
    Villamar

    Gio, with partner Mauricio Galvan, is responsible for championing the agency's efforts to break down silos and offer client partners holistic answers to business challenges at the intersection of multicultural strategy and progressive ideas that lead to hyper-cultural activation and execution.

    Prior to joining Anomaly, Gio spent time at the top shops in the business - The Vidal Partnership and Dieste - where he led business for clients including Heineken, NFL, Sprint, Nissan, and many more. His teams have been awarded numerous accolades, ranging from AdAge, El Ojo Iberoamerica, Clios, FIAP, and Radio Mercury Awards.

    When he's not leading his clients' business, Gio can be found in the classroom serving as an Adjunct Professor at Baruch College, teaching marketing courses. He's a graduate of St. John's University, Emerson College, and Harvard University Extension School. Originally from Ecuador, Gio has lived in NYC since the age of three.

    Kevin
    Lyons

    Energy and Experience

    Kevin Lyons is the former Global Creative Director for Urban Outfitters – one of the most successful urban/youth retailers in the United States and Europe. In a seven-year tenure, Kevin helped shape the brand holistically, including exterior signage, retail environment, digital design, packaging, posters and promotions, book and catalog design, labeling, and products (t-shirts, apparel, lifestyle product graphics). Kevin also led the acclaimed music program, oversaw the brand's PR and marketing, and the corporate design for the umbrella company Urban Outfitters, Inc., (Anthropologie, Free People and Urban Outfitters).

    Prior to Urban Outfitters, Kevin served in a variety of diverse roles including Design Director at Stussy Worldwide, Art Director for filmmaker Spike Jonze's Girl Skateboard Company, US Art Director for Tokion Magazine, and Senior Designer for Nike Inc., where he was responsible for branding several big-time college and pro sports franchises.

    He has written articles for the AIGA Journal, as well as addressing the AIGA twice including once as a published recipient of its Fresh Dialogues Series. He has held teaching assistant positions at both RISD and CalArts, and has been a visiting critic at the Yale Graduate School of Design. He was an Assistant Professor of Typography at the Pratt Institute from 2000-2002.

    Kevin produces two clothing lines; one for 2K, called Atlantis and the other under his personal namesake, NATURAL BORN – both are distributed globally.

    His own art work has been published worldwide from Thrasher, The Face, Lowdown, Anthem and Refill. He has shown worldwide including solo shows in Philadelphia, Los Angeles, San Francisco and Tokyo.

    Kevin’s cultural influence and significance is diverse, including regular collaborations ranging from Colette to Karl Lagerfeld.

    Dave
    Douglass

    Partner, Executive Creative Director, Anomaly Toronto

    Dave's career has seen him in senior creative roles, leading teams at Canada's most awarded agencies. A graduate of OCAD, Dave started out creating insight-driven work for Lexus, Toyota, Mackenzie Financial, and The Children's Aid Society.

    He then accepted a posting to London, where he continued to develop successful campaigns for British clients Hamlet Cigars, McEwans Lager, Hampton Court Palace, and the Tower of London.

    Since returning to his homeland (Canada), Dave has developed a diverse array of work for an equally-diverse roster of clients including McDonalds, General Mills, Lexus, Stella Artois, Budweiser, Alexander Keith's, WestJet, Coca-Cola, and Molson. His work has been awarded both nationally and internationally, including gold and silver awards from the Cannes International Advertising Festival, The One Show, Clios, CA, D&AD and Media Innovation Awards.

    In 2005, his work for the Canadian Film Center was the second most awarded campaign in the world. Formerly Dave was Co-Creative Chief at Lowe Roche.

    He and his long time creative collaborator, Pete Breton, are Co-ECDs at Anomaly Toronto.

    Stuart
    Smith

    Partner, Chief Strategy Officer, Anomaly London

    Stuart has defined his career through marquee strategic leadership roles at both client-side and agency firms. Notably, via his time at both Google Creative Lab and Wieden+Kennedy, Stuart has honed a truly integrated vision of how companies and brands must function and communicate in an increasingly complex business and media landscape.

    Before joining Anomaly, Stuart was the Head of Strategic Planning at Wieden+Kennedy in New York. Whilst there, he led the integrated strategy group across the agency's roster of blue chip clients ranging from Nike to Delta, Target, and P&G. Additionally, Stuart spent time at Google Creative Lab as Director of Planning, where he oversaw initiatives across all Google products (including Search, YouTube, Chrome, Android, Apps, Gmail, AdWords, etc).

    Stuart's unparalleled ability to build and lead an innovative strategic approach makes him a perfect match for the Anomaly proposition and offering.

    Amanda
    Fève

    Partner, Chief Strategy Officer, Anomaly Amsterdam

    Amanda joined Anomaly from Wieden+Kennedy Amsterdam, where she led strategic planning on the agency's global Coca-Cola account. She also worked on Intel, Powerade, and Procter & Gamble.

    Before joining W+K, Amanda worked as a Planning Director at BBH London and at JWT in both New York and London, leading the strategic thinking on global brands such as Johnnie Walker, Barclaycard, J&B, Vodafone, Kellogg's, Kleenex, Tanqueray, Ciroc, Domino's Pizza, and Unilever. In that time, she helped create campaigns for every continent but Antarctica.

    She is a strong proponent of effectiveness, having won an IPA Effectiveness award and helped BBH to win IPA Effectiveness Agency of the Year (2008) and APG Strategy Agency of the Year (2009).

    Amanda once wrote a Facebook status that garnered 14,562 likes (on Coca-Cola's behalf) and takes great pleasure in applying core planning skills in new channels.

    Eric
    Lee

    Partner, CEO, Anomaly Shanghai

    Eric is the former Managing Director of JWT Shanghai, where he partnered with Elvis Chau to consistently drive market-leading evolution for the agency, including the expansion of its digital capabilities and the creation of a robust branded content capability. During his tenure, the agency brought home China's first-ever Cannes Grand Prix in 2011, and China's first-ever Grand LIA in the London International Award's history. In 2011, JWT Shanghai was named the Agency of the Year for Greater China by Campaign Asia magazine.

    Eric has over two decades experience in the industry, having spent twelve years with Leo Burnett (in Shanghai and Hong Kong), and two years with Euro RSCG HK, working as a Senior Account Director across a range of international and local clients.

    He is a regular contributor at events designed to promote thought-leadership within Asia's ad industry. In 2012, Eric led a panel on branded content at the Spikes Asia Festival of Creativity, and gave a presentation on how to turn Chinese consumers into brand advocates at the Digital Asia Festival.

    He spoke at WPP's BrandZ Top 50 Most Valuable Chinese Brands award show, and gave a talk on Olympic marketing at the 18th Shanghai Television Festival. He also served as a judge at the 2012 Innovative Marketing Awards in Shanghai.

    Eric is a voracious music fan and loves to travel. He holds a degree in Psychology from the University of Hong Kong.

    James
    Conlon

    Chief Financial Officer

    Formerly, Jim was Worldwide CFO of McCann Healthcare, where he was responsible for 22 companies around the world.

    Jim's accounting and financial background spans marketing, manufacturing, consulting and academics. Prior to his eleven-year career in marketing communications, Jim was an auditor and management consultant for Deloitte & Touche for five years, the Finance Director for Dainishisieka Color and Chemical Manufacturing for ten years, and an Adjunct Professor at FDU Graduate School, where he published Advance Accounting Textbooks for McGraw Hill.

    Jim is a Certified Public Accountant and holds his MBA from Pace University, and a Diploma of Information Systems Auditing from NYU.

    Mike
    Byrne

    Founding Partner

    Formerly, Mike was a Creative Director at Wieden+Kennedy Portland, where he served as the Co-Creative chief for the agency's cornerstone Nike Account from 2000 – 2006. During his tenure, W+K Portland amassed more awards than any other agency in the United States including two Agency of the Year honors. Importantly, Nike's business grew exponentially during the course of those six years.

    While at W+K, Mike managed a creative group of over thirty people, oversaw creative development for Nike in the US and Latin America. Sub-brands with Nike included: Basketball (Pro and Collegiate), Football, Baseball, Running, Cycling (Lance Armstrong/LiveStrong Yellow Band), Olympics, Soccer, Tennis and the ACG division. Products included both footwear and apparel for men and women.

    Mike's work on Lance Armstrong's "Yellow Band" campaign helped raise over $50 million for his charity, LiveStrong.

    Mike has been recognized throughout his career for creative excellence. He has won numerous awards at the Cannes International Advertising Festival (including the Grand Prix 2001), D&AD, The One Show, Art Directors Club, Clios and CA amongst others.

    Mike won an Emmy in 2004 for the film, "Nike Tag".

    In 2002, Details magazine ranked Mike 30th in their "50 Most influential men under 40" issue. The following year Shoot magazine ranked him the third best copywriter in the world.

    Mike is on the board of the Creative Circus in Atlanta, GA where he mentors designers, illustrators, writers and photographers. He keeps himself busy on the creative lecture circuit as well as frequent trips with his wife, daughter, and son to hometown Philadelphia.

    Jason
    DeLand

    Founding Partner

    Formerly, Jason was the New Business Head at TBWA/Chiat/Day, SVP of Marketing for PCCW Hong Kong Telecom, and a Partner for the Brand Consultancy G2 Worldwide.

    While at G2, Jason served as Partner and Head of Business Development where he worked at the Group level to integrate service offerings and compensation structures.

    Prior to G2, Jason spent two years as SVP, Sales and Marketing for PCCW - Hong Kong Telecom, one of the largest marketers in Hong Kong. While at PCCW, Jason helped lead a marketing restructuring of the company's Business to Consumer group, developed M&A marketing strategy, created new product/content initiatives for Greater China and managed several agency relationships, including Omnicom's BBDO and WPP's Ogilvy.

    Jason began his career at the New York office of TBWA/Chiat/Day, where he became the New Business Director at the age of 22. At TBWA/Chiat/Day, Jason helped establish a winning track record and mentality within the agency and put in place a sustained and integrated agency marketing program.

    In 2012, Jason was recognized on AdWeek's "Young Influentials: 20 Under 40" list.

    Gareth
    Goodall

    Managing Partner, Chief Strategy Officer, Anomaly New York

    Before joining Anomaly, Gareth held roles as Head of Planning at Saatchi & Saatchi New York and Joint Managing Director and Chief Strategy Officer of Fallon London.

    During his seven years at Fallon, the agency won Campaign's Agency of the Year twice, two Cannes Grand Prix awards, and a Black D&AD Pencil and Campaign's Commercial of the Decade for SONY "Balls". His work for Orange won a Gold APG Award and the prize for Most Progressive Thinking.

    Gareth also sat on the Board of the Account Planning Group and was Chair of Judges for the APG Strategy Awards.

    The Independent named him one of the "100 Most Influential People In British Creative Industries" and he was selected by Campaign as a "Face To Watch" and one of "London's Top 10 Planners".

    Outside of work he enjoys writing and has won The Canongate Prize, the UK's largest prize for new writing. His story, "Salvage", was made into a film starring the actor Peter Capaldi.

    Natasha
    Jakubowski

    Managing Partner, Head of Innovation, Anomaly New York

    Natasha has been at the forefront of introducing brand strategy into the world of innovation helping clients re-imagine white space business opportunities.

    Prior to Anomaly, Natasha was a Partner and Strategic Director at Redscout, an Innovation Consultancy, where she led the strategic development of new business ideas, brands and products across diverse clients such as Johnson & Johnson, PepsiCo and Diageo among others.

    Prior to Redscout, Natasha served as part of the senior Strategic Planning team at Kirshenbaum Bond, working on marketing and communications strategy for brands including Edward Jones, Meow Mix, and Equal. In addition, she has global brand strategy experience on everything from Heinz to JP Morgan. Natasha holds first-class honors from Oxford University, and a Masters in Media and Communications.

    Mauricio
    Galvan

    Mauricio, with partner Gio Villamar, is responsible for championing the agency's efforts to break down silos and offer client partners holistic answers to business challenges at the intersection of multicultural strategy and progressive ideas that lead to hyper-cultural activation and execution.

    Prior to joining Anomaly, he spent time as Partner and Chief Creative Officer at d expósito and partners, and before that, Chief Creative Officer at totality. Additionally, he worked at The Vidal Partnership for 10 years. During his time at Vidal, he led significant growth at the agency working with clients like Nissan, Wendy's JC Penney, Sprint and Heineken - which were consistently recognized among the industry for best in class work.

    Before coming to the U.S. in 2000, Mauricio was a celebrated Creative Director in Mexico, working at Teran/TBWA, Ogilvy and Mather and Leo Burnett. While at Ogilvy, he won Mexico's first Lion at the Cannes festival, as well as Mexico's first Pencil at The One Show.

    Mauricio was born in Mexico City, and in his spare time he enjoys spending time with his wife Marimé and his two daughters Valentina and Ceciliana.

    Aisea
    Laungaue

    Partner, Chief Strategy Officer, Anomaly LA

    Aisea’s career has spanned the intersection of marketing and entertainment, most recently as Creative Executive at CAA in Los Angeles, where for 3 years he worked to develop cultural strategies for a diverse range of corporate and talent clients, ranging from boybands and film directors to diet soda and whiskey brands. In his time there, he brokered marketing partnerships for a variety of different content creators, including J.J. Abrams/Bad Robot, Chris Hardwick/Nerdist, Simon Cowell/Syco and Tim & Eric/Sarah Silverman/Michael Cera/JASH.

    Before that, he was Head of Planning at Anomaly New York where he led global marketing and innovation strategy for clients including Diageo, Pepsi and P&G.

    Aisea started his career in his native Australia at Saatchi & Saatchi Sydney. Having worked in New York, Singapore and Sao Paulo, Aisea now proudly calls Los Angeles home.

    Pete
    Breton

    Partner, Executive Creative Director, Anomaly Toronto

    Pete joins Anomaly with a background of leading the Creative departments at some of Canada's largest and most awarded agencies.

    A graduate of McGill University, Pete started his advertising career in Account Management working on Kellogg's, Bell Mobility, Cadbury and P&G. Having helped launch successful strategic campaigns as a suit, Pete took everything he had learned and moved into the Creative department.

    In his role as both a creative and Creative Director, he has worked on a diverse roster of clients, including McDonalds, General Mills, Lexus, Stella Artois, Budweiser, Alexander Keith's, WestJet, Coca-Cola and Molson. His breadth of integrated, innovative work has been awarded both nationally and internationally including gold and silver awards from the Cannes International Advertising Festival, The One Show, Clios, CA, D&AD and Media Innovation Awards. In 2005 his work for the Canadian Film Center was the second most awarded campaign in the world.

    Formerly Pete was Co-Creative Chief at Lowe Roche. He and his long time creative collaborator, Dave Douglass, are Co-ECDs at Anomaly Toronto.

    Alex
    Holder

    Partner, Executive Creative Director, Anomaly London

    She is the lady half of Oli & Alex – Executive Creative Directors of the London office.

    Formerly, at Wieden+Kennedy and Mother, the team was responsible for a string of viral sensations. Most notably, Oli & Alex re-imagined the way the music industry works by creating the world's first bespoke album for Kaiser Chiefs - a website allowing fans to pick their own songs, design their own artwork and then sell their own version of the album to friends for money. It made headline news from the music press to the Wall Street Journal.

    They were also responsible for the "Make Them Pay" campaign that sought to end the pay gap between men and women. It earned 83 Million views in three weeks, resulting in public backing from the Prime Minster.

    Their personal projects have consistently made news all over the world. They range from a letter to Richard Branson dubbed “the worlds greatest complaint letter” to a photographic recreation of Mills & Boon romance covers for International Women’s Day.

    They have a simple belief that all work should be entertaining or interesting enough to forward on to a friend.

    Alex is currently involved in a series of projects that highlight the fact we can be feminists in any way we choose - anything from political activism to a quiet belief that men and women are equal.

    Lars
    Jorgensen

    Partner, Executive Creative Director, Anomaly Amsterdam

    Lars was born in Denmark, and grew up amongst engineers and architects, which explains his passion for tinkering with anything from bicycle cranks and surfboards to advertising campaigns.

    The first years of his career were spent in Copenhagen, followed by stops in Miami, Amsterdam and London before ending up in New York, where he spent the last 11 years as an Art and Creative Director before returning to European soil.

    Prior to Anomaly, Lars spent time at agencies such as Grey, Mcgarrybowen, and Saatchi & Saatchi developing award-winning work for brands including the NFL, Captain Morgan, Reebok, Johnnie Walker, The Wallstreet Journal, Marriott, and HP.

    Elvis
    Chau

    Partner, Executive Creative Director, Anomaly Shanghai

    Elvis is the former Executive Creative Director of JWT Shanghai, where he partnered with Eric Lee to drive growth and world-class, diverse creative output for the agency, bringing home China's first-ever Cannes Grand Prix in 2011, and China's first-ever Grand LIA at the London International Award's history. In 2011, JWT Shanghai was named the Agency of the Year for Greater China by Campaign Asia magazine.

    He started his career with JWT Singapore in 1999 and spent next twelve years in the three different markets: Singapore, Thailand and China. A champion of effectiveness, Elvis has focused on delivering innovative work that delivers results for clients, and along the way has picked up over 200 awards in shows such as Cannes, Effie, Clio, The One Show, London International, Spikes Asia, Asia Pacific AdFest and respective local awards.

    In 2008, his Adidas China Olympics campaign won the first gold Cannes Lion for China. In 2011, under his leadership as Executive Creative Director, JWT Shanghai made history by clinching the highest number of Cannes Lions: three gold, one silver, two bronze and China's first-ever Grand Prix. And in 2012, he was named one of Fast Company's Most Creative People In Business.

    Eric
    Damassa

    Chief Marketing Officer

    Eric joined Anomaly in 2011 as New Business Director. His diverse skill-set and expertise at the intersection of technology, creativity, operations and commerce have made him a valuable part of the Anomaly leadership team.

    During his time at the agency, Eric has been integral in growing the agency from two offices to five offices and nearly 500 people around the world – with a focus on cultivating high-quality agency growth through development of existing clients, highly-selective new business efforts, and connecting Anomaly talent and ideas across offices.

    Previously, he spent time at Saatchi & Saatchi’s New York headquarters, where he worked across account and digital roles, and ultimately moved into new business, where he led the group responsible for an extended run of global wins and definitive marketing initiatives. Eric got his start at The Active Network, a global data and technology company focused on sport and fitness.

    Johnny
    Vulkan

    Founding Partner

    Formerly, Johnny held several high-level and diverse positions in both the UK and US. Prior to Anomaly, Johnny led new product development projects at Fahrenheit 212 where he helped evolve new markets and products for clients that included P&G, General Mills and Starbucks.

    Before Fahrenheit, Johnny spent two years as the Chief Operating Officer of TBWA/Chiat/Day in New York before co-founding the Disruption Group for the company and becoming a Group Creative Director leading communications innovation work for MasterFoods, Absolut Vodka and the agency at large.

    At Anomaly, Johnny is responsible for communications and media innovation as well as stewarding digital strategy and philosophy. When not roaming the internet, he can found exploring the latest cultural trends as far afield as Tokyo, Berlin, Manchester and Buenos Aires.

    Justin
    Barocas

    Founding Partner

    Justin is responsible for leading the Media and Communications Strategy practice at Anomaly.

    As Executive Producer and writer, he led the development and production of Avec Eric for PBS and published the companion book with Wiley & Sons. Avec Eric has received two Emmys including 2011 Outstanding Culinary Show, and was awarded 2011 Best Show (on Location) from the James Beard Foundation.

    Additionally, Justin oversees the development of branded entertainment for Anomaly with clients such as Budweiser and Converse, and communications strategies for P&G, Pepsico and Diageo.

    Formerly the Media Director of Wieden+Kennedy NY, Justin helped develop and manage breakthrough integrated communications solutions for brands such as Nike, Virgin America, ESPN, Coca-Cola, Nestle, JetBlue, ESPN and Microsoft.

    Justin's work has been honored by the National Academy of Television Arts & Sciences, the Effies, the OAAA, and the Cannes International Advertising Festival.

    Eric
    Segal

    Managing Partner, Executive Creative Director, Anomaly New York

    One of AdAge's 2015 '40 Under 40', Eric leads the creative department at Anomaly New York.

    Before joining Anomaly, Eric was ECD at Grey New York where he headed one of the agency’s highest profile groups, overseeing the NFL, Mike’s Hard Lemonade, Pringles and the TNT & TBS Networks. In his time at Grey, Eric helped lead the agency to Top Ten Lists from AdAge to Creativity by driving business growth and delivering world-class creative work. Notably, his work for the NFL has garnered numerous industry awards, Emmys, resides in the permanent collection at MoMa, and led the brand to 3 of the 4 best business years in history.

    His social and digital work for the re-launch of the TV icon Dallas has won Gold in Cannes as well as the Facebook Studio awards, being called by Facebook one the most innovative uses of their platform. The campaign also saw the series premiere as the #1 new show on cable.

    Eric's most notable achievement however, was creating a piece for the US Olympic Committee that inspired Poet Laureate Maya Angelou to write a poem of the same name (though she adjusted for his poor grammar), and then being asked by Dr. Angelou to sit up straight while filming her reading the piece in her home.

    Vivek
    Bellore

    Director of Digital, Social & Data Strategy, Anomaly New York

    Vivek brings with him a diverse background of public- and private-sector experience focused on building opportunity through insightful understanding, pattern identification, and analysis of human behavior.

    Prior to Anomaly, Vivek was Partner/VP of Research and Planning at Attention, specializing in data, analytics and social media. During his five years at the agency, Vivek focused on developing original approaches to working with social data to shape marketing strategies and sales operations. Clients spanned a variety of sectors, ranging from Morgan Stanley to UNICEF. Additionally, Vivek has spent time doing innovation work and product launch strategy for the likes of Microsoft, Epson and SAP.

    Prior to entering the private sector, Vivek worked on projects for the Tibetan Diaspora, as well as launching the Heroes Project in partnership with the Gates Foundation. He spent a year in Mumbai working with Telecom providers, media agencies, global celebrities, and other NGOs to combat the stigma of HIV/AIDS, and he continues to be active in the NGO community by serving as advisor to Generation Citizen, a national program that works to develop the next generation of active and engaged citizens.

    Vivek is a graduate of George Washington University with a degree in Economics and Public Policy. In addition, he spent time studying Indigenous Cultures and Economic Policy while in Australia.

    Omar
    Quiñones

    Since the start of his career, Omar has helped develop brand strategies focused on deeply rooted truths and cultural insights that inspire creativity and redefine the way modern brands are built.

    Recently, he led the strategy department across all accounts at CP+B Miami. Previously, he helped clients gain relevance with multicultural audiences at The Vidal Partnership, spent time at CP+B Boulder, and led the strategy department for RP3 Agency.

    Omar has worked for a varied client roster such as Best Buy, Burger King, Jell-O, Grey Poupon, letgo, Santa Margherita, Johns Hopkins Medicine, Ripley’s Believe It or Not, JCPenney, Sprint, Nissan, Heineken and more. Recently, he led global work for American Airlines and Infiniti in Latin America and the Caribbean.

    He also led efforts on the award winning “You Know You Love It” U.S. Hispanic campaign for Kraft Macaroni & Cheese that earned Cannes Lions, Effie Gold and Silver Jay Chiat awards.

    Omar was born and raised in Puerto Rico, is a psychologist by training and has been curious from birth. He is a son, a father, a husband and a damn good dancer.

    Franke
    Rodriguez

    Partner, CEO, Anomaly Toronto

    Franke joined Anomaly in 2007 as a hybrid account leader and Business Development Director. His ability to span the traditional world and the digital world, coupled with a keen commercial mind (he holds an Economics degree from Columbia University), makes him a versatile and effective business leader.

    Whilst at Anomaly, he has led several business successes across a range of disciplines, including: Client Services (Diageo, Coca-Cola, Virgin America, Best Buy and NBC Sports Network), Intellectual Property Development, and New Business.

    Franke is charged with directing Anomaly's office in Toronto, continuing to increase the office's momentum and leading a potent mix of talent from a wide range of disciplines, ages, and nationalities, united by an ambition and desire to do something they and their clients can believe in.

    Before Anomaly, Franke spent time as a Marketing Manager at Digitas (which had been awarded Digital Agency of the Year) leading the development of several internationally awarded campaigns and platform programs, as well as time as an Integrated Account Manager at FCB before that.

    Camilla
    Harrisson

    Partner, CEO, Anomaly London

    Camilla has worked in the UK advertising industry for over 20 years and joined Anomaly in November 2014 from M&C Saatchi.

    During her nine years at M&C Saatchi, as well as running a broad portfolio of client business, she was instrumental in the transformation of the M&C Saatchi Group from ten specialist agencies into one of London’s most powerful integrated propositions. For a number of years she worked in a Group role as COO with the remit of bringing together the disciplines of advertising, CRM, PR, social, mobile, data, insight and building digital expertise across all the Group agencies – before taking up the reins as CEO of the agency.

    Previously Camilla worked at Leo Burnett and Wieden+Kennedy, and got her start in the business in 1994 at WCRS. Much of her earlier career was spent in business development and pitching – a testament to her love of a challenge and a highly competitive nature.

    Camilla plays an active part in the UK industry, being a current member of the IPA Council and a member – and past President (2012/13) – of Women in Advertising and Communications London, or WACL. She also sits on the Corporate Development Board of Mind and is currently running an industry wide initiative around mental health.

    Oli
    Beale

    Partner, Executive Creative Director, Anomaly London

    He is the hairy half of Oli & Alex – Executive Creative Directors of the London office.

    Formerly, at Wieden+Kennedy and Mother, the team was responsible for a string of viral sensations. Most notably, Oli & Alex re-imagined the way the music industry works by creating the world’s first bespoke album for Kaiser Chiefs - a website allowing fans to pick their own songs, design their own artwork and then sell their own version of the album to friends for money. It made headline news from the music press to the Wall Street Journal.

    They were also responsible for the "Make Them Pay" campaign that sought to end the pay gap between men and women. It earned 83 Million views in three weeks, resulting in public backing from the Prime Minster.

    Their personal projects have consistently made news all over the world. They range from a letter to Richard Branson dubbed “the worlds greatest complaint letter” to a photographic recreation of Mills & Boon romance covers for International Women's Day.

    They have a simple belief that all work should be entertaining or interesting enough to forward on to a friend.

    Before advertising, Oli set up a disastrous record label and was London's worst club promoter. He once booked The Cross, an enormous club, and got just seven people through the door.

    Martin Peters
    Ginsborg

    Partner, Executive Creative Director, Anomaly Amsterdam

    Apart from being a passionate baker of Danish rugbrød [ˈʁuˌbʁœðˀ], Martin has over the past decade worked as a creative director, copy monger and idea wrangler for agencies on both sides of the Atlantic.

    Before joining Anomaly, he has helped Grey, Saatchi&Saatchi, Mcgarrybowen, Mullen and BBDO win the hearts of global brands like Johnnie Walker, Budweiser, NFL, Marriott, Verizon and Reebok, to name a few.

    In his lack of spare time, Martin is the proud father of two tireless little boys and has been known to chase orangutans in the jungles of Borneo – which have certain similarities.

    Richard
    Summers

    Partner, Chief Strategy Officer, Anomaly Shanghai

    Formerly, Richard was a Senior Planner at Wieden+Kennedy Shanghai, where he led strategy across key regional clients Converse, P&G and iShares as well as local clients Beats by Dre, Umbro, Intel, COFCO and others.

    Prior to moving to China in 2009, he was with W+K London, working predominantly on the Nokia global business. While it was consumer research for them that first brought him to Asia, it was the dynamism and possibilities that kept him here.

    Beyond client projects, Richard is a keen advocate of agency-originated initiatives. In 2010, he created "Boomtown Stories", a photo essay and think-piece exploring six of China's fastest growing cities. More recently, he established and ran W+K Shanghai open office initiative, W+K+, which invited an eclectic mix of entrepreneurs and startups into its space from across the creative community. In 2013, he spoke at Spikes Asia on the topic of Creativity and Business in China.

    Richard began his career at Lowe London, across Johnson & Johnson brands, Twinings and Unilever.

    He combines global and local experience from both the East and West, and is passionate about ideas - both big and small - that can shape culture, behaviour, and business.

     

     

     

     

  • Anomalies

    We admire talent.

    We love passion.

     

    We want to set it free wherever, whenever.

     

    KEVIN LYONS The former Chief Creative Officer at Urban Outfitters, a world-renowned artist, and head of culture and experience at Anomaly.

     

    DARYL HOMER An elite fencer, turned account man, now also training for the 2016 Olympic Games.

     

    BRYAN ESPIRITU An accomplished designer and artist, Bryan is most well-known as the founder of The Legends League: a very successful streetwear brand. He now serves as Creative Catalyst for Anomaly in Toronto.

     

     

     

     

     

     

     

  • Unreasonable

    A content series to inspire.
    The entrepreneurs, the mavericks, the visionaries – who believe that “progress is in the hands of unreasonable men.”


    HARLEY WANG | ZONG BYOU Master Craftsman

    STEVE GE Food Fundamentalist

    JERRY SHEN Community Creator

    OU NING Rural Revivalist

    RITCHIE CHAN Style Seeker

    YANG JUN Analogue Advocate

    NICOLE TENG Creative Upcycler

    JACKSON AW Extraordinary Maker

    ANDREW GUAN Skate Entrepreneur

     

     

     

     

     

     

  • Anomaly ip

    We believe in the power and value of ideas; consequently, we develop, incubate, invest in and curate new ideas, products and properties.

    AVEC ERIC
    A joint venture creating an Emmy-winning TV series, book deals, and licensing opportunities with Eric Ripert, the Head Chef and Co-Owner of Le Bernardin.
     
    EOS
    A venture in global skin and beauty care focused on lip balms and shaving products that used our brand and design talents.
     
    MIGHTY JAXX
    A joint venture with innovator and creator Jackson Aw to ignite the world's next big urban art movement.

     

     

     

     

  • News

    AdAge \ Jan 2016

    2016 Agency A-List: Anomaly

    AdAge \ Jan 2016

    Creativity Innovators of the Year 2016

    Designer Toy Awards \ Aug 2015

    IP Venture ‘Mighty Jaxx’ Wins Brand of the Year

    Fast Company \ Feb 2014

    Most Innovative Companies in Advertising

    Fast Company \ Feb 2008

    World’s 50 Most Innovative Companies

    CNN \ Mar 2007

    Madison Avenue’s Do It All Startup Business 2.0

    More About Advertising \ Jan 2016

    2016 Offers Opportunities for Agencies Brave Enough to Tell the Truth

    AdAge \ Dec 2015

    How Anomaly Shanghai Built Its Own Content Platform in China

    Campaign \ Dec 2015

    Cancer Research UK Launches First ad from Anomaly

    The Drum \ Dec 2015

    Anomaly London Named ‘Creative Agency of the Year’

    Campaign \ Dec 2015

    Could a woman do Santa’s job? Anomaly asks kids for Christmas film

    Marketing Canada \ Dec 2015

    Managing Disruption: Anomaly’s Franke Rodriguez

    Adweek \ Nov 2015

    Squarespace Taps Anomaly for Pop-Culture Boost and a Return to the Super Bowl

    AdAge \ Nov 2015

    Lyst + Anomaly: Data Inspires Creative for Maverick Fashion Campaign

    Adweek \ Nov 2015

    New York Life Taps Anomaly as Lead Agency

    Adweek \ Oct 2015

    Duracell Powers Epic Suburban Star Wars Battle

    Adweek \ Oct 2015

    Why Jolly Rancher and Anomaly Are Telling Millennials to ‘Keep on Sucking!’

    Adweek \ Sep 2015

    Jude Law and Anomaly Put a Joyful New Bounce in Johnnie Walker’s Step

    Adweek \ Sep 2015

    A Man Finds Commuting Zen Brilliantly Silly Ad for TheTrainLine.com

    ADC \ Sep 2015

    Dan Shapiro ‘ADC Young Guns 13’ Winner

    Campaign \ Aug 2015

    Lyst picks Anomaly as Lead Agency Partner

    Business Insider \ Aug 2015

    Seth Jacobs named ’30 Most Creative People in Advertising’

    Designer Toy Awards \ Aug 2015

    IP Venture ‘Mighty Jaxx’ Wins Brand of the Year

    The Drum \ Aug 2015

    Diageo signals Gordon’s Gin refresh with Anomaly hire

    AdAge \ Jul 2015

    Dick’s Expands ‘Sports Matter’ Campaign in Second Year

    Adweek \ Jul 2015

    Converse Unveils the Chuck Taylor II

    Adweek \ Jul 2015

    Johnny Dantonio on Adweek’s Creative 100

    Campaign \ Jul 2015

    Cancer Research UK Appoints Anomaly

    AdAge \ Jun 2015

    Panera Promotes Transparency With New Campaign

    Campaign \ Jun 2015

    Anomaly Beats Two to Win TheTrainLine.com

    AdAge \ May 2015

    As Baseball Returns, MLB Debuts Real-Time Campaign

    Marketing Canada \ May 2015

    Spotify Creates a Soundtrack for Canada

    AdAge \ Apr 2015

    Hershey Picks Anomaly for Global Jolly Rancher Business

    AdAge \ Feb 2015

    Anomaly Picks Up the MLB Business

    AdAge \ Jan 2015

    2015 Agency A-List: Anomaly

    AdAge \ Jan 2015

    AdAge Creativity Innovators of the Year 2015

    Adweek \ Dec 2014

    After 15 Years With BBH, Johnnie Walker Picks Anomaly

    Fast Company \ Feb 2014

    Anomaly: World’s Top 10 Most Innovative Companies in Advertising

    Marketing \ Feb 2014

    Anomaly Launches the Budweiser Red Zeppelin

    May 2013

    Anomaly Expands Global Reach With Shanghai Office Opening

    USA Today \ Apr 2013

    Agencies Go From Jingles to Entrepreneurship

    Little Black Book \ Feb 2013

    Anomaly Launches ‘Unfortunately Small Gallery’

    AdAge \ Jan 2013

    Anomaly – Standout Agency – Adage Agency A-List 2013

    Adweek \ Dec 2012

    Big Players, Big Ideas: Carl Johnson – Anomaly Definitely Not An Ad Agency

    Strategy Online \ Aug 2012

    Bud Light Chooses Anomaly In Canada

    Huffington Post \ Aug 2012

    Mario Batali And Eric Ripert ‘On The Table’

    Marketing Canada \ July 2012

    Anomaly Toronto Drives Off With Mini Account

    Marketing Magazine UK \ June 2012

    Budweiser Rolls Out ‘Track Your Bud’ Experience

    Marketing Canada \ April 2012

    Franke Rodriguez to Lead Anomaly Toronto

    Forbes \ March 2012

    Effies Survey Spotlights Data-Ownership Debate, Pinterest Interest

    Feb 2012

    Kevin Lyons’ Monster Collaboration With Mei in Tokyo

    Jan 2012

    Anomaly Adds Diverse Creative and Strategic Firepower

    Adage \ Jan 2012

    Dick’s Sporting Goods Chooses Anomaly as Agency

    Adweek \ Nov 2011

    Anomaly Opens Amsterdam

    Adweek \ June 2011

    ‘Cannes Has Changed’ and ‘Content Isn’t King’ Anomaly’s Carl Johnson Returns to the Festival

    Adweek \ June 2011

    Anomaly’s ‘Avec Eric’ Nabs Second Emmy

    Adweek \ May 2011

    Budweiser and Anomaly Enter the Reality TV Realm With ‘The Big Time’

    March 2011

    Paris: Kevin Lyons Monsterizes Colette Water Bar

    Adweek \ Dec 2010

    Adweek: Agency of the Year: Insurgent

    Adweek \ June 2010

    Cannes Grand Prix: Anomaly Wins Grand Prix for Be Stupid

    AdAge \ Jan 2008

    Agency A-List: Anomaly

     

     

     

     

  • Faq

    1 \ 2 \ 3 \ 4 \ 5 \ 6 \ 7 \ 8

    Why is the company called Anomaly?

    Anomaly is a response to the widespread recognition in the industry that "the models are all broken" and "the traditional solutions are all becoming less and less effective." From the company's inception, we realized intuitively that, in order to succeed, we needed to create an entity that was, literally, an "Anomaly" – something that deviates from the norm or from expectations. To that end,

    Anomaly possesses an extremely diverse and elastic set of skills; operates on a progressive and entrepreneurial business model; focuses on creating business solutions; and lastly, has broken down traditional silos through a single bottom line – so as opposed to the status quo, mega-mall-esque conglomerations of specialty service providers, we can offer our partners solutions that are untainted by financial bias.

    What makes Anomaly different from a traditional agency?

    The typical agency views a client's needs through the lens of its own core capabilities and fixed resources. As a result, despite the complexity and diversity of the client's problems, the agency invariably arrives at the same solution.

    This shouldn't be a surprise, since, from the agencies' point-of-view, the client "must" do advertising, or design, or digital etc., because that is the service the agency is designed to provide and the one that affords it the greatest profit.

    On the other hand, while Anomaly is more than capable of doing "traditional communications," we're not ideologically or infrastructurally compelled to, because our business model permits us to manifest our capabilities and choose our resources through the lens of the business issue or opportunity.

    How is Anomaly different from an all-star team put together by an agency holding company?

    Holding companies tend to be a collection of silo-like fiefdoms based on individual disciplines – the ad agency, the design group, the media department, the direct marketing division, etc. – that all have different P&Ls and agendas.

    What this means for the client is that the resulting end product of their collaboration isn't necessarily an objectively conceived, truly innovative solution, but more likely and unfortunately, a discipline-centric solution that is awkwardly integrated across channels as best as possible.

    In the case of Anomaly, we are in a constant drive to recruit and retain some of the world's best talent from a wide range of backgrounds. We all share a common goal, and a single bottom line that's influenced by our passion for solving business issues and capturing opportunities.

    Consequently, we contend that the best solution is the most effective and appropriate solution, regardless of whether or not it occupies one or more categories in the advertising award show circuit.

    What’s the benefit of a diverse range of skills?

    "To a man with a hammer, every problem is a nail."

    At its simplest, the breadth of skills we possess allows us to recommend what is right for the specific business challenge rather than reflect a bias to a particular discipline like 'advertising' or 'digital' or 'PR'.

    Not a jack-of-all-trades approach, but a collection of very high-level people working together who understand that the really big ideas can come from anywhere.

    Collaboration and mutual respect are critical: while our skill set is diverse, what unites our team is the rare combination of high talent and low ego.

    Overlay on that the prospect of ideas that seamlessly flow and build across channels and the benefits are clear.

    How does Anomaly handle Hispanic marketing?

    By not creating a Hispanic 'silo' or 'department.
    Silos by their nature are bad.
    They stifle potential.
    They stand there all tall and rigid.
    They breed homogeneity.
    They solidify a bureaucratic mindset, one obsessed with titles and structure, over talent, ideas and results. As we look to the future we cannot help but be inspired by the changed dynamics of America today.
    We are a more pluralistic, more progressive, more cultured nation.
    Now comes ‘The Last Silo’.
    The Hispanic silo.
    We have taken dead square aim.
    We have created a very different mission. A mission to make Anomaly a company that can credibly and relevantly communicate with everyone in America. Equally. We will not isolate Hispanic Marketing. Our approach is to live at the intersection of multicultural strategy and progressive ideas that lead to hyper-cultural activation and execution. The intersection with the most challenges and also the most value for agencies and clients.
    There is no separate company.
    No separate department.
    No separate name.
    No silo.
    It’s the right thing to do.
    For Anomaly.
    For the industry.
    For culture.

    How does Anomaly think about media?

    Today, everything is media.

    The lines between creative and media have blurred, unpaid media is increasingly important, and what constitutes 'media' is harder to define.

    Is an app creative or media? What about social media? Is building a technology-based platform a media buy? How can I make more out of my retail presence? Why should I pay to go on television when I can put a film on YouTube? Am I even asking the right questions?

    Within this complexity, though, lies great opportunity. Architecting a multimedia program, with equal emphasis on flair and accountability, offers the possibility of greater effectiveness than ever before.

    That philosophy, along with great clients, has enabled Anomaly to win the Gold Effie for Media two years running. Being proven innovative, creative, and effective in media strategy is an accomplishment we're proud of, and is something that lies at the heart of virtually all of our work.

    Who is Anomaly’s competition?

    Because the Anomaly model is so drastically different, there is no single entity that we see as a competitor. Frankly, we're much more focused on collaboration than competition. Anomaly champions collaboration, so we'll work with anyone and everyone in order to generate the best solutions.

    Why doesn’t Anomaly do time sheets?

    Since our founding, we have never done a time sheet. We do not believe in the practice of selling time.

    At best, selling time is a commoditizing force that encourages agencies to staff more and take longer to deliver - at worst, selling time is selling a lie.

    Anomaly does not sell time. Rather we sell the value of our output.

    Some ask how do you do this? How do you prove value?

    The answer is simple: You deliver more value than you are getting paid and you back the quality of your ideas in the marketplace with performance bonuses.

    That places all the pressure on Anomaly, but we like pressure, and even more we like the honesty and simplicity of willing buyer and willing seller.

    This approach fosters an internal culture that values doing what is right for the business. A culture that hunts for the best solution and focuses on delivering a result vs. delivering a service.

     

     

     

     

  • Call on us

    KEY CONTACTS

    For New York and network new business opportunities, contact Eric Damassa at edamassa@anomaly.com

    For New York and network PR opportunities, contact Emily Hodkins at ehodkins@anomaly.com

    For inquiries, press or otherwise about The Last Silo, contact us at thelastsilo@anomaly.com

    LA

    1319 Abbot Kinney Blvd
    Venice, CA 90291
    USA

    MAIN NUMBER
    +1 310 392 3233

    AISEA LAUNGAUE
    aisea@anomaly.com
    Partner & CSO

    NYC

    536 Broadway, 11th Fl.
    New York NY 10012
    USA

    MAIN NUMBER
    +1 917 595 2200

    KARINA WILSHER
    karina@anomaly.com
    Partner & CEO

    TOR

    46 Spadina Ave, Suite 200
    Toronto, ON M5V 2H8
    Canada

    MAIN NUMBER
    +1 647 547 3440

    FRANKE RODRIGUEZ
    franke@anomaly.com
    Partner & CEO

    LON

    22 St James’s Walk
    London EC1R 0AP
    England

    MAIN NUMBER
    +44 207 843 0600

    CAMILLA HARRISSON
    camilla@anomaly.com
    Partner & CEO

    AMS

    Herengracht 551
    1017 BW Amsterdam
    The Netherlands

    MAIN NUMBER
    +31 20 308 0380

    AMANDA FÈVE
    amanda@anomaly.com
    Partner & CSO

    SHA

    No. 205 Wulumuqi South Rd
    Shanghai 200031
    China

    MAIN NUMBER
    +86 21 5121 9101

    ERIC LEE
    eric@anomaly.com
    Partner & CEO

     

    CAREER OPPORTUNITIES:

    NYC talent@anomaly.com TOR catalent@anomaly.com LON uktalent@anomaly.com AMS damtalent@anomaly.com SHA cntalent@anomaly.com